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  1. #1

    Rogers: Tubed Excellence


    It arrived just before I jumped on a plane for the NY Audio Show. *It’s big, red and beautiful.


    We’ve got the EHF-200MK2 integrated amplifier from Rogers High Fidelity here for a while and after hearing it at Stereo Exchange in New York this weekend, I’m anxious to put it through its paces with a wide variety of speakers. *Featuring a pair of KT120 output tubes per channel, this amplifier puts out 120 watts per channel in Ultralinear mode, but can be switched into triode mode as well.


    The EHF-200MK2 is packaged like a piece of fine jewelry, homage to the luxury product it is. *The remote is gorgeous, the manual concise and easy to read – but best of all each one comes with a little note enclosed from the person who built it, adding a bit of humanity to the process. When I caught up with Roger Gibboni I thanked him for the extra car, but he said “We do that with every amplifier, we want people to know the care that goes into each one.” So, Trish, thank you very much for building this amplifier…


    Stay tuned for our listening impressions and the world’s first review shortly.






    [Source: http://www.tonepublications.com/what...ed-excellence/]

  2. #2
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    EHF-200 + EHF-200 MK2





    Description:
    Never before has music sounded so good coming out of your speakers. Clarity rules with the EHF-100 and EHF-200. Trust us. Turn them on and youʼll be blown away by their concert hall quality. There may be other tube amps on the market, but nothing compares to the power and precision of these amps. The sound is stunning and so is the look. All you have to do is close your eyes and immerse yourself in the music.




    FEATURES:

    • Built by hand to the most exacting specifications
    • Hand wired circuitry using all discrete components
    • All components meet or exceed aerospace specifications
    • Hand built to the most exacting specifations
    • Aviation grade chassis, stainless steel hardware, hand applied finish • Gold plated RCA connectors, Furutech rhodium plated binding posts





    EHF-200 SPECIFICATIONS:

    • Tube Complement: 2-EF86, 2-12AX7, 4-KT120
    • Frequency Response: 112 Watts rms Per Channel ± 0.1dB from 20Hz to 20kHz with Less Than 0.1% Total Harmonic Distortion
    • Triode Mode: 80 Watts rms Per Channel ± 0.1dB from 20Hz to 20kHz with Less Than 0.1% Total Harmonic Distortion
    • Gain: 40dB
    • Input: 4 Unbalanced, 100k Ohm • Output: 4 Ohm
    • Weight: 60 Lbs. • Dimensions: 17″ width, 14″ depth, 11.5″ height
    • Power Cable: Rogers High Fidelity Quiet Cable Included






    NEW EHF-200 MK2:

    The new EHF-200 MK2 has the same specs as the EHF-200 with the following additions:

    • A preamplifier input
    • A preamplifier output for a powered sub-woofer
    • A remote volume control

    The pre-in and pre-out functionality allow the EHF-200 MK2to be used in a component system like a stand alone power amplifier without the added costs of separate units, cabling, maintenance of 2 power amplifiers.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  3. #3
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    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  4. #4
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    That a nice looking integrated. I like the idea of having a preamp input. The only thing that bugs me personally are the inputs on the front panel. Can't wait to read Jeff's review.
    Doug



  5. #5
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    UL and Triode too. Mmmmm mmmmm
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  6. #6
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    Quote Originally Posted by joeinid View Post
    UL and Triode too. Mmmmm mmmmm
    +1 That's a nice feature as well. I've never heard a KT120, I wonder how they compare to 6550's. Probably even ballsier...can't imagine!
    Doug



  7. #7
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    Re: Rogers: Tubed Excellence

    I've heard this amp. It is amazing. I also heard the ARC 250's with a 5SE at the same store. The Rogers was clearly nicer to my ears.

  8. #8
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    Re: Rogers: Tubed Excellence

    Do they make higher power monoblocks ?
    Mark


    Kharma DB9 Signature
    Pass Labs XP32......incoming
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    VPI Avenger with Magnetic Drive
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  9. #9
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    Re: Rogers: Tubed Excellence

    Quote Originally Posted by MDP View Post
    Do they make higher power monoblocks ?
    Doesn't look like it Mark.

    Here's the website: Home - rogershighfidelity.com
    Doug



  10. #10
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    Re: Rogers: Tubed Excellence

    I hear they are working on it. The 200 had quite a bit of power.

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Rogers: Tubed Excellence

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