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  1. #1
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    What level of importance do you put on the source?

    We talk a lot about speakers first, then amps, preamp, cables, etc.

    But I'm wondering, how much emphasis do people put on their sources?

    I'm one that believes if it's not right to begin with, you can't fix it downstream. You can't fix downstream what's broken upstream.

    So if it came down to it, are you more likely to upgrade another component (speakers, amps, preamp) before buying a better DAC, turntable or even adding a source (R2R)?


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  2. #2

    Re: What level of importance do you put on the source?

    I guess it depends on what level your sources are at. If you think your speakers are higher quality than your sources, it's time to upgrade your sources. If you think your sources are better than your speakers, it's time to upgrade the speakers.
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

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  3. #3
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    Re: What level of importance do you put on the source?

    Answer: Extreme. For all of the reasons that you just listed.

  4. #4

    Re: What level of importance do you put on the source?

    Mike...I'm in the camp that says that component selection has to be equally balanced across the chain. You are right that if source is week, noting in the chain downstream from it can fix the shortcomings in the source. But equally if source is far superior to any component downstream of it, then you have a chain that cannot reveal the strengths of the source (i.e., if amplification adds veiling or lacks dynamics or resolution that source is capable of delivering or similarly if speaker not up to the task). So in that scenario you end up leaving performance on the table or likely dollars on the table because you have probably paid too much on your source that the rest of your system cannot take advantage of because it is not at the same level of performance. So I always recommend trying to balance out the pieces in the chain so that they are at a relative performance to one another. One can always argue that if you get a source that is superior then you can upgrade over time the rest of the system and you will get better performance as you upgrade rest of the chain. I dislike that argument because arguably the changes in technology and performance for the $ spent especially in digital sources seems to improve more rapidly then in amplification and in speakers. So if you buy the most speaker you can afford for your budge first and then spend the most on amplification second, then those parts of your system can stay stable for a long while while you apply more frequent upgrade cycles in the front end in line with the faster technology cycle improvements in your source (this is again especially true in digital sources and perhaps not as much in analog sources).
    Cyril
    Speakers/Amp/Preamp: Thiel CS2.4 / ARC Ref 110 / ARC Ref 3
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  5. #5
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    Re: What level of importance do you put on the source?

    When is good, good enough when it comes to source spending vs amp/preamp/cables, etc.?

    For example, will someone be better off with a Rega RP3 and a Lyra Delos and a D'Agostino amp or a VPI Avenger and a killer cart and a pair of Bryston 28's?
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  6. #6
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    Re: What level of importance do you put on the source?

    Mike.......In my opinion it all matters. The weakest link will always bottleneck a system's performance. System integration is like a recipe. Alter any one ingredient and the final presentation will not be the same. Each sound system on any level is essentially a work in progress that is rarely 100% complete.
    Dan

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  7. #7
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    Re: What level of importance do you put on the source?

    A chain is only as strong as its weakest link. The source, preamp, amps, speakers and cables all need to be strong. When it comes to where I tend to place the most money: 1) Speakers; 2) Source; 3) Amp; 4) Preamp; 5) Cables.

    Ken
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  8. #8
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    Re: What level of importance do you put on the source?

    I think an interesting way to approach this subject is to place yourself in a fictional 'What if' scenario. In this case, let's pretend that you can have one component, but you can't have the other. To better illustrate what I'm talking about, here's a for-example:

    Right now, I have an AMR CD-777 and a Karan Acoustic KA-i 180. It's a simple, yet effective little system.

    So let's say that for whatever reason, I'm put in a situation where I can only keep one of those components. Whatever goes bye bye will be replaced by something decent, albeit significantly less capable. So the decision would look something like this... I could either:

    A) Keep the AMR-CD777 and replace the Karan with a Heed Elixir integrated.

    or

    B) Keep the Karan and replace the CD-777 with a Rega Apollo (yea yea you turntable boys, I already know what you're going to say)

    So the big question is - what would I chose if those were my only options? Well, for me... the choice is simple. I'd stick with the AMR. As much as I love that Karan integrated, I'd rather have a source that can bring out the best of the Heed.

    Obviously this is a fictional scenario that most Sharkies will never have to fret over. Most of us are going to emphasize the importance of balance and synergy. And while all of that is true, that's not necessarily the point. I think this 'what if' exercise is a fun way to gauge what really matters to you. At least on a component by component basis.

  9. #9

    Re: What level of importance do you put on the source?

    Quote Originally Posted by Double-D View Post
    Mike.......In my opinion it all matters. The weakest link will always bottleneck a system's performance. System integration is like a recipe. Alter any one ingredient and the final presentation will not be the same. Each sound system on any level is essentially a work in progress that is rarely 100% complete.
    Exactly right
    Cyril
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  10. #10
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    Re: What level of importance do you put on the source?

    Dan is spot on as are all that have commented.

    Quote Originally Posted by Mike View Post
    When is good, good enough when it comes to source spending vs amp/preamp/cables, etc.?
    When is good enough, in my opinion its when your wallet and your physical abilities tells you its good enough. I look at audio the same way I look at racing cars. In drag and IMSA racing which I was seriously involved with back in the 60, 70 and 80's to be competitive on the circuit it can cost you thousands if not ten's of thousands of dollars to gain a few tenths of a second or a few MPH.
    Like in anything (hobbies) we do in life the sky is the limit as long as your wallet and your physical abilities can support your spend rate while trying to obtain that happy place. If your hearing is failing as you age you might have found your happy place in audio. So why spend huge sums of money if you cannot benefit from the advantages the newer or should I say refined gear.

    So a question, can a source be the music itself ? You can't make a bad recording sound pleasing no mater how much your audio gear cost, if that makes sense.
    2chl : Vincent Sp331MkII, W4S STP-SE Stage 2, Kef 201/2, KEF 140, Vapor Breeze, Lumin, Bryston CD, BHA-1, Quicksilver Headamp, HD650, HD800s, HD820's, Dan Clark 1.1, Focal Stellia, OPPO 203, 105. ( Boxed up: Pass Xa-30.5, VPI Classic, Dynavector DV-20XL, Manley Chinook, Cadenza Bronze)

  11. #11
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by Alpinist View Post
    A chain is only as strong as its weakest link. The source, preamp, amps, speakers and cables all need to be strong. When it comes to where I tend to place the most money: 1) Speakers; 2) Source; 3) Amp; 4) Preamp; 5) Cables.
    I'm not sure Mike was referring primarily to cost when he asked "What level of importance do you put on the source" but then again it is certainly involved in the calculus. That said, putting the source at number two in your list might be fine for analog but I think it's too much for digital, given the current state of the art and rate of development of DACs.
    Howard

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  12. #12
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by CPP View Post
    So a question, can a source be the music itself ? You can't make a bad recording sound pleasing no mater how much your audio gear cost, if that makes sense.
    Chris.......Source material is equally important. Even an oil sheikh's system will sound like crap with a few recordings I own.
    Dan

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  13. #13
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by Mike View Post
    When is good, good enough when it comes to source spending vs amp/preamp/cables, etc.?
    Good enough is when you are emotionally connected to the music when you listen to the system. Everything else is extra.
    Jock

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  14. #14
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    Re: What level of importance do you put on the source?

    I've heard countless systems with what I knew were excellent sources. But the system/room interface kept them from delivering anything close to their true potential.

    I think the source is critical, but not until the system/room interface consistently delivers a musically involving experience.

    Otherwise, the owner's resources are sadly wasted to a large degree.
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  15. #15
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    Re: What level of importance do you put on the source?

    My $.02

    The most important thing is that your speaker works well in your room. Quality of the speaker is not important. A great speaker that does not interact in your room well, will be "A LOT" worse that a lessor speaker that works well in your room.

    For the best system for a particular budget I believe a balanced approach is best.

    For an unbalanced system - I find a "better sourced" system system is better than a "better speaker" system.

    So I would say that the source is more important if the speaker works well in your room.
    Jock

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  16. #16
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by Mike View Post
    We talk a lot about speakers first, then amps, preamp, cables, etc.

    But I'm wondering, how much emphasis do people put on their sources?

    I'm one that believes if it's not right to begin with, you can't fix it downstream.
    Common question among audiophiles... here's my view.
    The "source" is very important... but I'm not talking about playback device, but the recording / media.
    That CD (or Blu-ray, or vinyl, or tape...) with its recording and its mastering and/or remastering... is perhaps the most important. Followed by speakers, amplifier and the room, in that order - but with almost equal level of importance. Player has much much less impact on the overall sound... cables and power conditioners and the quality of electrical power network have less impact... spikes and other "enhancement accessories" even less...
    In the end - EVERYTHING COUNTS - but with dramatically different levels of importance.

  17. #17

    Re: What level of importance do you put on the source?

    Quote Originally Posted by Mike View Post
    ... But I'm wondering, how much emphasis do people put on their sources?
    So if it came down to it, are you more likely to upgrade another component (speakers, amps, preamp) before buying a better DAC, turntable or even adding a source (R2R)?

    Sent from my iPhone using Tapatalk
    This may be reading something slightly different into the question of (or definition of) "source", but please allow me....
    The "prior" question for me was "format", meaning is the source analogue (TT or RTR) or digital (via computer or dedicated server). For reasons of convenience and listening habits
    I went digital - so I am interested in optimizing within that, and ignore other options.

    Secondly, from CPP:
    Quote Originally Posted by CPP View Post
    ... I look at audio the same way I look at racing cars. In drag and IMSA racing which I was seriously involved with back in the 60, 70 and 80's to be competitive on the circuit it can cost you thousands if not ten's of thousands of dollars to gain a few tenths of a second or a few MPH.
    Like in anything (hobbies) we do in life the sky is the limit as long as your wallet and your physical abilities can support your spend rate while trying to obtain that happy place. .... .
    Substitute sailboats - which I raced for many many years, and same situation - you can always spend more for some incremental gain.

    Right now, I'm at "that happy place" and could stop.

    But will I, probably not.... then I look for the "weakest link". And in this regard, I agree with
    Alpinist:

    Quote Originally Posted by Alpinist View Post
    A chain is only as strong as its weakest link.

  18. #18
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    Re: What level of importance do you put on the source?

    If I may restate my point from below, the acoustic wave launch into the room, and how it is received at the listening seat is the fundamental building block for all else. IME/IMO, the world's best source will fall far short of its potential if this foundational aspect is not addressed fully.
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  19. #19

    Re: What level of importance do you put on the source?

    I have no where near the amount of experience with different components in my system that most have on this forum, so take what I say with a grain of salt. I personally think the source if quite important. I switched from a $1000 turntable/cart to a $22000 turntable/cart and experienced a big change in the enjoyment of my system. I used to be mostly digital, but now am almost exclusively vinyl. I am running this $22K turntable into an $800 phone pre-amp and entry-level cables connecting the different components. I think a lot of equipment these days is of such good quality that much of the sound comes through. I've had to switch out my somewhat reference level pre-amp and amp to an entry-level equipment due to equipment failure and still find I can enjoy much of the what the turntable/cart have to offer. I should switch out my speakers to see if I still say the same thing. I suspect I would.

    Don't get me wrong, everything is important.

  20. #20

    Re: What level of importance do you put on the source?

    It's at the front for a reason. Hit it with the best you have. As Jim said the room & environment is very important, but without the best front end in any room, you will never realise just how much potential is locked away in that recording to bring forward & listen to. Unfortunately it also highlights the bad side of the mastering as well.

  21. #21

    Re: What level of importance do you put on the source?

    It's really late for me after doing seven consecutive days of double shifts so I'm not thinking very clearly, but as soon as I saw the topic I thought-- SOURCE. The starting point. And that of course Is the cd or lp or stream. That seems to me to be the ultimate achievable quality. No equipment can exceed the source except maybe to cover up sins which lead to more sins. So I would say the source might be the most important link in the chain. Geez...I feel lousy and I'm totally okay if some says this is a stupid idea.

  22. #22
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    Re: What level of importance do you put on the source?

    In my experience it is rarely the source that's been the system bottleneck, assuming its not an Oppo or a Playstation 3 or a snotty laptop with a virus...


    Two often overlooked bottleneck areas are the power supply [which is a source] and the room / loudspeaker interface. I once visited an audiophile who was adamant that he needed to spend loads of money to upgrade his source. It turned out that his listening chair was poorly sited and after we moved that the problems which he was hoping to address by upgrading his source were gone. The bottom line was the guy wasn't getting the best out of what he already had and Stereophile reckons thats true for 95% of all audiophiles.
    Borresen Acoustics Loudspeakers, Borresen Model 01 Compact monitor loudspeakers with Ansuz Darkz T2s Supreme resonance control, Audio Video Manufaktur GmbH (AVM) Inspiration amplifier & streamer, Innuos Zen MKII music server, Ansuz Acoustics cables & accessories. Please visit my system thread hosted on Audioshark for more details. Disclosure: The author is materially connected to Ansuz, Aavik & Borresen Acoustics via friendship with an owner.

  23. #23
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    Re: What level of importance do you put on the source?

    Removing "the room" as a variable from this discussion makes the choice easy for me, speakers/amps are far more important then a source component. If you were to take a $200 CD player and connect it to any quality system you will get good sound. If you take one of the uber expensive CD stacks available and play it through some Big Box stores speakers you will not get good sound.

    This whole "the source" narrative was promulgated by Linn's Ivor Tiefenbrun when that company ironically only produced a source product.
    Jim

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  24. #24
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    Re: What level of importance do you put on the source?

    I dunno.. I think you can get good sound by going in any particular direction.

    For example, I heard a set of Wilson Watt pups being fronted by a $300 NAD CD-player, and that system sounded just fine. On the flip side, I recently heard a $4,500 AMR CD-player fronting a Polk Audio T50 system that also sounded very good.

  25. #25

    Re: What level of importance do you put on the source?

    Quote Originally Posted by still-one View Post
    If you were to take a $200 CD player and connect it to any quality system you will get good sound.
    The problem is, this hobby isn't about "good" sound. The foundation for this hobby is great sound. "Good" sound is comparatively cheap compared to great sound.

    Quote Originally Posted by still-one View Post
    f you take one of the uber expensive CD stacks available and play it through some Big Box stores speakers you will not get good sound.
    True, but that's no surprise.


    Quote Originally Posted by still-one View Post
    This whole "the source" narrative was promulgated by Linn's Ivor Tiefenbrun when that company ironically only produced a source product.
    That doesn't mean he was wrong in this case though. Ideally you have great source components so you capture as much information as you can at the front end and the rest of your system is up to task of reproducing it correctly. You can argue that if you only have "X" amount of money to spend on your system that it makes sense to you to scrimp on the source component(s) and go big on the amp and speakers so you can still get "good" sound. The goal for me is to have everything in your system on equal footing in terms of quality.
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

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  26. #26
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by mep View Post
    ...Ideally you have great source components so you capture as much information as you can at the front end and the rest of your system is up to task of reproducing it correctly. You can argue that if you only have "X" amount of money to spend on your system that it makes sense to you to scrimp on the source component(s) and go big on the amp and speakers so you can still get "good" sound. The goal for me is to have everything in your system on equal footing in terms of quality.
    JMO, of course, but I think your system is far over-balanced toward the source
    Rob
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    Tascam BR-20; Technics 1506 with tape path upgrades, FM head, DeHavilland 222 tape head pre; Modwright Oppo 205 full tube mod w/LPS; Euphony Summus server, EtherRegen, HDPLEX LPS; MSB Discrete DAC (dual PS, ISLPro, balanced out); Pass Labs XP-12, XA60.8 (pair); Daedalus Audio Apollo 11’s, VMPS Larger Sub; Daedalus/Wywires, Acoustic Zen, Sablon Audio, Wireworld, Shunyata Research cables; Core Power Equi=Power;
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  27. #27

    Re: What level of importance do you put on the source?

    Quote Originally Posted by rbbert View Post
    JMO, of course, but I think your system is far over-balanced toward the source
    You don't like my speakers?
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

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  28. #28
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    Re: What level of importance do you put on the source?

    Quote Originally Posted by mep View Post
    You don't like my speakers?
    I very much like your speakers, but it would be easy to argue that with your sources they should be Baby Grands
    Rob
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    Tascam BR-20; Technics 1506 with tape path upgrades, FM head, DeHavilland 222 tape head pre; Modwright Oppo 205 full tube mod w/LPS; Euphony Summus server, EtherRegen, HDPLEX LPS; MSB Discrete DAC (dual PS, ISLPro, balanced out); Pass Labs XP-12, XA60.8 (pair); Daedalus Audio Apollo 11’s, VMPS Larger Sub; Daedalus/Wywires, Acoustic Zen, Sablon Audio, Wireworld, Shunyata Research cables; Core Power Equi=Power;
    Adona rack, ​​​​​Stillpoints, IsoPods, ASC, GIK Acoustics accessories

  29. #29

    Re: What level of importance do you put on the source?

    Quote Originally Posted by rbbert View Post
    I very much like your speakers, but it would be easy to argue that with your sources they should be Baby Grands
    Baby Grands are $55k last I knew which equals the value of my entire system approximately. One thing I know, the NOLA KOs are resolving enough to let me hear the differences between source components and I think represent the sweet spot in their lineup. I would love to compare the Baby Grands with my NOLA KOs, but I'm not spending my retirement money yet since I'm not retired. In the meantime, I'm real happy with my KOs.
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

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  30. #30
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    Re: What level of importance do you put on the source?

    FWIW, remember that Carl typically demos the Baby Grands with your current amp and an ARC CD player. The current Baby Grands run closer to $70k I think.
    Rob
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    Tascam BR-20; Technics 1506 with tape path upgrades, FM head, DeHavilland 222 tape head pre; Modwright Oppo 205 full tube mod w/LPS; Euphony Summus server, EtherRegen, HDPLEX LPS; MSB Discrete DAC (dual PS, ISLPro, balanced out); Pass Labs XP-12, XA60.8 (pair); Daedalus Audio Apollo 11’s, VMPS Larger Sub; Daedalus/Wywires, Acoustic Zen, Sablon Audio, Wireworld, Shunyata Research cables; Core Power Equi=Power;
    Adona rack, ​​​​​Stillpoints, IsoPods, ASC, GIK Acoustics accessories

  31. #31
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    Re: What level of importance do you put on the source?

    Just so happens there is a hell of a deal currently on a pair of Baby Grand Ref's for less than half price. Look at the location of the seller. I suspect there is more to that story than it appears. Some of the photos give clues.

    http://www.usaudiomart.com/details/6...rrent-version/
    Main - JVC QL-Y7/Denon DL-301 Mk II, Gold Note PH-10, Jays CDT3 Mk3 , Auralic Aries G2.2, Holo May KTE, Supratek Cabernet, Kinki Studio EX-B7 monoblocks, Verity Audio Otello, (2) Rythmik F12SE, Audio Envy IC, SC & PC's, Triode Wire Lab PC's, Inakustik USB and I2S, (2) Puritan Audio Labs PSM-156 with Groundmaster City, Timbernation rack

    Family Room - Oppo UDP-203, Auralic Aries, Aqua La Voce S3, Kinki Studio EX-M1+, Nola KO, (2) Rythmik F-12G, Wireworld SC & IC's, Neotech PC's, SurgeX SA-1810

    Greenville, SC- Jays CDT2 Mk 3, Auralic Aries G1, Holo Spring 3 KTE, Supratek Chardonnay, Odyssey Audio Kismet Reference, Rosso Fiorentino Volterra 2, (2) RSL Speedwoofers, iFi Audio Power Station, Wireworld IC's, Inakustik USB and I2s, Triode Wire Lab SC, Triode Wire Lab PC's, Furutech NCF Clear Line, Timbernation rack.

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What level of importance do you put on the source?

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