Thread: Simaudio MOON Neo 260D Transport Review

Ding dong the CD’s dead, or so goes the incessant chant of the magazine pundits who need to fill their pages with endless dribble about one prediction after another. Those magazine pages need to be filled with something. The fact is CD sales have been declining for years as high-res downloads and CD quality streaming entered the audio scene, but by no means are CD sales dead, nor are there any shortages of CD players and CD transports being introduced by respected audio manufacturers. I guess they must have missed the message that CD’s died. One such respected audio manufacture, Simaudio in Quebec, Canada, isn’t influenced by the CD naysayers. They continue to offer the MOON Neo 260D Transport/DAC for those compact disc connoisseurs who reject the media’s herd mentality, and continue to embrace the impressive audio performance delivered by compact discs.

Simaudio’s MOON Neo 260D can be purchased in two forms, as a transport only ($2000) and as a transport/DAC ($3000) with the optional factory installed 32Bit DAC. Since my choice is to use an external DAC, I purchased the MOON Neo 260D transport only version. It is a robust CD transport with an oversized power supply that provides 13 stages of voltage regulation, five of which are dedicated to the transport. For an owner who may wish to add the DAC at a later date the MOON Neo 260D can be factory retrofitted with the DAC. The proprietary CD transport hardware and software are developed in-house. The CD drive is mounted on Simaudio’s M-Quattro gel-based 4-point floating suspension for vibration damping. This is said to allow ambient and spatial cues in recordings to come to life like never before. The 260D provides two SPDIF digital outputs, coaxial and AES/EBU balanced. With over 30 years of experience manufacturing audio components, Simaudio’s know-how is clearly represented in the MOON Neo 260D.

It is suggested in the 260D owner’s manual that performance will improve through 400 hours of break-in required for the numerous high quality electronic parts. I have played one CD after another continuously since unpacking the 260D transport, and when not listening to the transport I engaged the Repeat feature that allows uninterrupted playback until manually stopped. The MOON Neo 260D now has 414 hours of break-in completed. In addition, I changed the digital cable from a Wireworld Silver Starlight coaxial interconnect to a Wireworld Gold AES/EBU digital interconnect at 129 hours of break-in, so the AES/EBU cable now has 285 hours of break-in on it as well. From day one the Neo 260D has been powered with a two meter Wireworld Silver Electra power cable.

The MOON Neo 260D transport is feeding a digital stream to a Schiit Audio Yggdrasil DAC. The Yggdrasil has 1471 hours logged on it. From the very first CD I played on the 260D I have remained very impressed with the musical quality this combination delivers. In fact, once past 100 hours of break-in on the 260D I was unable to detect any difference in the playback performance versus the initial hours. The 260D transport performs disc spinning tasks and digital signal delivery invisibly. Its disc tray functions are silky smooth, gliding in and out in near silence. The various control buttons, all of which are duplicated on the slim remote control, have excellent tactile feel and immediate response. The red LED display is striking and the digits are large enough to read from across the room. Should you choose, the display can be turned off, but will momentarily illuminate to show command changes, then returns to display off. The transport allows for a single repeat of the CD or continuous repeat, as well as programmed playback. The layout of the MOON Neo 260D transport controls is intuitive and takes no more than a few minutes to become second nature.

Listening to the 260D transport through the Yggdrasil DAC is pure joy. There is nothing about the playback quality from the transport that makes it readily identifiable from the Aurender N100H music server. In fact, the Gen5 USB input on the latest Yggdrasil DAC is so transparent it duplicates the same high degree of musicality as a CD playing in the 260D transport. I made direct comparisons of several CD’s against their FLAC file versions on the N100H and discovered both to be extremely close in sonic integrity, although on occasion CD playback from the 260D did manage a slightly more convincing sound stage, but for the most part the Aurender N100H music server and the MOON Neo 260D transport remained kissing cousins on one recording after another.

Some may question the need for a transport when a high-end music server is part of a sound system. I can understand the quizzical interest, but in my situation a transport provides one more useful source component that allows me to spin CD’s at will without having to first rip them on a computer, then drag and drop them on the server’s hard drive before being able to enjoy the recording. I have friends who visit and often bring a handful of CD’s they want to hear on my systems. Without a transport I would not be able to accommodate that request. In addition, sometimes I just feel like spinning CD’s, kind of like how I enjoy the ritual of playing LP’s. Handling the CD case, reading the CD booklet, placing the CD in the transport, and controlling it via the remote are all part of the fun. Some may see a transport in my sound system as redundant, but in the end I am the only one who has to be satisfied with the build and capabilities of my sound system, so I say to each their own.

I have not discovered a single thing about the Simaudio MOON Neo 260D transport that doesn’t please me. It is well constructed, simple and intuitive to operate, and performs its tasks silently. Playback quality is superb, although the DAC in use will always impact the final audible results. The combination of the MOON Neo 260D transport, Schiit Audio Yggdrasil DAC, and Wireworld Gold Starlight AES/EBU digital interconnect make for a formidable digital playback package that comes in under $5K. That is an incredibly attractive price point for a level of digital performance that easily stands toe to toe with competitors costing three times that price or more. I would not hesitate to recommend the Simaudio MOON Neo 260D transport to anyone looking to add CD playback to their DAC. If that DAC is the new Yggdrasil, all the better. This component combination provides consistently amazing digital performance.

Hello Dan,
Thank you for a stunning review, as always.
When you purchased your 260D I was thinking of changing my cd drive in the main system. I read your initial impressions and the various reviews including of course Jeff Dorgay's one on Tone and decided to buy it also with the option of the dac.
With my Altec speakers, on some recordings I also had the feeling of a larger scene with my Meridian 500 CD drive compared to my streamer. I do not have a high end streamer as the N100H but sticked for years with the Squeeze Box Touch and a linear PSU. Reason for that was that I was unable on my previous systems to hear a difference between this streamer and various CD drives. And this was also the case on the very impressive system of Jean Marc with McIntosh full 1000 system and 1.2K driving the WP8 and the Alexias.
But as you stated, spinning CDs have some advantages compared to streaming a file. I realized over the years that I just forgot many artists in my collection that I rediscovered when seeing the CDs. It seems to me that with streaming, I tend to listen to always the same recordings.
The other advantage of listening to new CDs before ripping is obvious and also being able to listen to friend's recordings when they visit. CD is far from
being dead.
The Neo 260D will be here in 1 week. I can't wait to listen to it.


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Jerome.......Thank you. I am confident you will find the MOON Neo 260D very enjoyable. While I cannot speak about the DAC option since mine is a transport only, I feel certain that Simaudio's expertise at designing and manufacturing high quality audio components will deliver a remarkable listening experience for you. I will be watching for your impressions.

I am going to kick the performance level of the digital playback source components in the living room system up a notch or two. Today I ordered four sets of four Stillpoints Ultra Mini's, one set each for the Simaudio MOON Neo 260D transport, the Yggdrasil DAC, the Aurender N100H music server, and the McIntosh C2300 preamplifier. Should be interesting to hear what the Ultra Mini's will do for the digital sources and the preamplifier.

Originally Posted by kzhtoo

Looking forward to your impression as I also have Yggdrasil and N100C.

kzhtoo.......Based on my very positive experience with Stillpoints Ultra Mini's and Ultra SS supporting my McIntosh C1000C/P preamp and controller, Esoteric K-01X, Aurender N10, and a pair of McIntosh MC2301 tube power amplifiers in the studio sound system, I am confident the Ultra Mini's under the McIntosh C2300 preamp, Aurender N100H music server, Yggdrasil DAC, and the MOON Neo 260D transport in the living room system will elevate the performance. By what degree of improvement is yet to be discovered. My plan is to install the Ultra Mini's under the C2300 preamp first and spend some time evaluating what happens. Then I will install the Ultra Mini's under the Yggdrasil DAC, again spending some time listening, and finally I will install the Ultra Mini's under the Aurender N100H and the MOON Neo 260D transport. I expect the results of each additional set of four Ultra Mini's under each component will produce a cumulative effect. It will certainly be interesting.

Very nice, Dan; looking forward to reading about your findings.


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Hello Dan and friends,

So I received the Neo260D player 2 days ago.
I am extremely pleased with the unit.
I am using it in 2 modes. As a cd drive with a WireWorld Gold Starlight 6 AES EBU cable into the AMR DP777 dac. And as a standalone cd player using the rca analog outputs to my GAT preamp.
I am impressed by the built quality. Reminds me of Mark Levinson gear. I love the huge display.

For both configurations, I get a very refined and classy sound from my CDs. The accuracy of timbres is superb. The stereo image is extremely sharp and the sense of space in the recording is awesome. The noise level is extremely low. Silences are very «*deep*». I must say that I never heard CDs sounding so good.
The internal dac of the 260 is really excellent. I could leave easily with it and be very happy. The AMR has the same level of very high resolution and refinement, but it adds a few degrees of weight, texture, and better dynamics. First I thought that I was just getting a higher spl but with most recordings it became obvious that the AMR was not actually sounding louder. It is sounding stronger. The bass especially gets better definition and slam.
I guess, but it is only a guess, that the 260 and the AMR must be very close if not identical to the big Moon 650 player. I think about this because when listening to the 260 with the AMR dac I get the feeling that I am just listening to a better 260. The overall personality of the sound does not change at all. I should check but as far as I remember for its 16/44 dac, the AMR uses like Moon Burr Brown chips. They are probably the same. ( The AMR uses 2 separate dacs, selectable, one for Red Book and one for high resolution files ).

I do not regret at all ordering the Moon with the inboard dac. If one day I want to sell it ( this would be unlikely but who knows... ), I will sell it more easily. Moreover, Moons states that using the XLR outpouts of the player will lead to a better sound. But my preamp is an unbalanced one.
This player is a real high end one, with a very revealing yet ultra refined and musical and non fatiguing sound.

I have yet to compare it to my streaming system but I seriously doubt that the little SqueezeBox with its linear PSU may be at this level. I would need a far more «*serious*» streamer like the Aurender, Lumin and so on....

Just a few words on CD transports.
When I was using the McIntosh MDA1000 dac in my main system, and this was during full 7 years, I tried quite a few high end drives and I compared them and to my Squeeze Box. The MDA is a stellar dac but it puts his hands on the signal fed and delivers always the same sound, no matter the cd drive used ( as long as it has an AES EBU output, the MDA sounds a bit better through it than through coaxial outputs ) and I had lots of trouble in making the difference between the Squeeze Box and a high end cd drive. This was also the case at Jean Marc’s place comparing the Squeeze Box to the MCD1000. So I got the wrong feeling that CD drives do not matter with a stunning DAC as the MDA.
Then came the review of Emile on various dacs and the presentation to me of the AMR DP777. I bought it and compared it very carefully to the MDA1000. Yes, no doubts for me : the AMR was a winner in terms of definition and purity.
But less forgiving than the MDA. Some files on my SqueezeBox and some CDs on the Meridian 500 transport were sounding not so «*good*» as through the MDA and listening fatigue could appear.
So here comes the Neo260D player. And no matter the CDs I am playing through it and the AMR, the sound is fantastically musical and smooth.
Conclusion : CD drive may not be important with the MDA1000 because the MDA colors the sound and looses the highest resolution to reveal the differences. But with a high resolution dac, if you still play CDs, the need for a great CD drive is obvious.

Thanks a lot Dan for pointing me towards this stunning product.





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Stillpoints Ultra Mini isolation footers arrived yesterday, a total of 16. This allowed me to place four Ultra Mini isolation footers under the Aurender N100H music server, the Schiit Yggdrasil DAC, the Simaudio MOON Neo 260D transport, and the McIntosh C2300 preamplifier. The shelves in my Salamander Synergy rack can be easily adjusted so it was quick work to alter the spacing between shelves to make room for the added component height once the Stillpoints Ultra Mini's were installed. I originally planned to start this adventure by adding one set of four Stillpoints at a time under a single component, then audition the system after each addition. Caution was tossed to the wind as I installed all fours sets of four Ultra Mini's at once. That was the ultimate destination point to begin with so I saw little reason not to go for the gusto, and basically I couldn't help myself once I had the Stillpoints in my hands.

So, how does the system sound now? In a word, focused. It is remarkable how a great sounding system can have its performance elevated without previously perceiving anything amiss. That's how it was for my living room system. I've enjoyed this sound system for years and always sensed its performance was right on the money, but to my wonderment today the Stillpoints Ultra Mini isolation footers raised the bar. Sharper focus is what has taken place, sort of like a prescription updated on my eye glasses. All of a sudden everything is clearer, brighter, more detailed. That's what transpired when the Stillpoints were placed under the music server, DAC, transport, and preamp. I immediately began hearing deeper into recordings. The sensation of a blacker background unleashed hidden micro dynamics. Bass became fatter, richer, with improved tone. Separation of instruments revealed more air, redefining each instrument's sound with a sense of added space. Diminishing guitar strings and piano notes, as well as the metallic ringing decay of cymbals seemed to linger slightly longer before silence consumed the energy. The focal point of the soundstage grew more three dimensional. Everything about the performance of each recording I auditioned was unmistakably improved. And another plus, no break-in required to reap the value of Stillpoints' contribution.

This was not my first experience with Stillpoints under audio components so I was not surprised at the elevated performance. It was more like being pleased as punch that the gift of a more detailed and focused presentation finally made its way into my living room sound system. It's easy to look at these Stillpoints gizmos and wonder how they do what they do, but the bottom line is their audible endowments are undeniable. Once you experience what Stillpoints isolation footers have to offer in a high-end sound system there is no turning back. My living room sound system has definitely benefited from the addition of Stillpoints isolation footers. I should have made this upgrade long before now.

Listening to the living room system this afternoon for a couple of hours was thrilling. The soundstage is so well focused it is almost spooky. The improvement in the details I am hearing, particularly the micro details deep in a recording is impressive. Overall, I am very pleased with what Stillpoints Ultra Mini's bring to my living room sound system's performance. I don't know why I waited so long to make this happen, but I'm certainly glad I quit procrastinating and finally found the motivation to do it. Stillpoints are the real deal.

Hey Dan... I’m looking at a used 260D transport. Still like yours?

Originally Posted by Coppy

Hey Dan... I’m looking at a used 260D transport. Still like yours?

Dan passed away a year ago.


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