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Thread: Balanced Interconnects
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April 29, 2020, 02:17 AM #1
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Balanced Interconnects
I wanted to know what your views were on expensive branded XLR cables.
I know we all can hear the difference but have read that its quite more subtle compared to unbalanced interconnects.
This is because the shielding in RCA interconnects actually transmit the signal, whereas in balanced interconnects that is not the case.
I know there is no right or wrong answer so want to know about your experience and knowledge on the topic.
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April 29, 2020, 03:05 AM #2
Re: Balanced Interconnects
In my experience there is very little difference (if any) between the RCA and XLR in terms of magnitude of a difference in sound quality.
Adam
Speakers: Magico M3
Amp: Dagostino Momentum Stereo
Digital: Lampi Horizon + Lampi DSD Komputer
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April 29, 2020, 03:46 AM #3
Re: Balanced Interconnects
Also keep in mind what the superior connection is on the particular component you are using. Unfortunately, the single-ended connection on some components these days is almost an afterthought. Do your research.
Ken"No summit worth climbing is easily attained."
--------------------------------------------
Source: MSB Select II DAC with Two Mono Powerbases and Femto 33 Clock; Renderer V2 Digital Input Module and Roon Nucleus Plus; MSB UMT V Signature Transport
Amps: Vandersteen M7-HPA Mono Amps; MSB M204 Mono Amps
Speakers: Vandersteen Model 7 Mk2
Power: Two AudioQuest Niagara 5000’s with AudioQuest Dragon and Hurricane Power Cords
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April 29, 2020, 07:15 AM #4
Balanced Interconnects
Accuphase and Burmester XLR it’s recommended
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April 29, 2020, 07:25 AM #5
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Re: Balanced Interconnects
Balanced interconnect systems (it's not just the cable) can solve RCA hum & noise problems. They are more useful in long interconnects, especally when the equipment is powered by two different AC circuits.
Chose XLR interconnects that use a Shielded Twisted Pair (STP) made by a major bulk cable manufacture like Belden, Canare or Mogami. It takes big expensive machines to make quality bulk cables. For connectors use Neutrik or Switchcraft.
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April 29, 2020, 08:36 AM #6
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Re: Balanced Interconnects
it all depends how the unit is built.
it needs to be fully symetric to gain any advantage with xlr and thats rarely the case.
quiet some manufactors use transformers at the xlr input.
i do belive in most cases rca is better. i got to admit this is not based on experiance.
guess best is to ask the manufactor in every single case. or testing if you can afford both types.
nagra recommends rca for theyr classic line, and audionet recommends strongly rca, even for theyr fully symetric heisenberg/stern combo.
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April 29, 2020, 09:12 AM #7
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Re: Balanced Interconnects
Really agree with this. It depends on the component's design. Some components are based on a fully balanced design throughout. It doesn't just stop at the input or output (where balanced connectivity is often offered primarily as an accommodation). A fully balanced component is obviously more expensive to build. And I love the locking feature of balanced connectors. On the other hand, single ended has the advantage of simplicity and lower cost.
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April 29, 2020, 09:50 AM #8
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Re: Balanced Interconnects
Hold on.
A balanced interconnect system is one thing and a fully balanced internal circuit is another very different thing.
Lets not get into an apples and oranges discussion.
The internal circuit design of a component has nothing to do with the advantages of a balanced interconnect system.
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April 29, 2020, 10:14 AM #9
Re: Balanced Interconnects
That is right..
Sometimes we use Balanced connections but internally the circuit topology is not really fully Balanced....
I´ve read something about that in Facebook McIntosh Group.. it seems that for C2XXX Pre Amplifiers the internal circuit is not totally balanced designed circuit.
Regretfully my technical knowledge do not allow me to really understand the internal circuit topology.
I´m sure that somebody here can explain it better.
Regards,McIntosh C302 + C2600 - Lumin A1 - Lenco L75 - Marantz SR6007 - Paradigm S6 - Gaia II - Chord Epic Twin Speaker Cable + Jumpers - Bada LB5500
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April 29, 2020, 11:06 AM #10
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April 29, 2020, 11:23 AM #11
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April 29, 2020, 11:24 AM #12
Re: Balanced Interconnects
Back to my original post, best to choose XLR or RCA connection based on your individual components. A component will usually perform better on one or the other. Sometimes XLR and sometimes RCA. Sometimes even “Zeel”. Don’t want this to turn into an argument over which is better. Both have their merits.
Ken"No summit worth climbing is easily attained."
--------------------------------------------
Source: MSB Select II DAC with Two Mono Powerbases and Femto 33 Clock; Renderer V2 Digital Input Module and Roon Nucleus Plus; MSB UMT V Signature Transport
Amps: Vandersteen M7-HPA Mono Amps; MSB M204 Mono Amps
Speakers: Vandersteen Model 7 Mk2
Power: Two AudioQuest Niagara 5000’s with AudioQuest Dragon and Hurricane Power Cords
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April 29, 2020, 11:46 AM #13
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April 29, 2020, 12:18 PM #14
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Re: Balanced Interconnects
So you are asking if the differences in sound of cables are as noticeable in XLR as they are with RCA? My experience in the few XLR brands I've used is, yes.
From what I understand there isn't any real advantage to using XLR cables if the gear isn't differentially balanced. The XLR is just a tap off the circuit to allow that type of connection for convenience.
When connecting two differentially balanced components the XLR connection should be used for optimum performance. I know there are some gear that will convert but I still have my doubts as to whether that is as good.Aurender ACS10 w/Audioquest Diamond USB, Esoteric N05xd
Mark Levinson #526, 534 & JBL 4367's
Clearaudio Performance DC w/Maestro cart
Clarus Concerto & their Crimson cables
HT: Marantz AV8003, Linn 5125, JBL SAM3ha, Revel s30,
SVS PC13 Ultra
Transparent, Analysis Plus & Tributaries. PS Audio filtering
Sony XBR-75X940D & BDP
Parasound P6, MBL 8006b, Artisan speakers/subwoofer
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April 29, 2020, 12:18 PM #15
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Re: Balanced Interconnects
So you are asking if the differences in sound of cables are as noticeable in XLR as they are with RCA? My experience in the few XLR brands I've used is, yes.
From what I understand there isn't any real advantage to using XLR cables if the gear isn't differentially balanced. The XLR is just a tap off the circuit to allow that type of connection for convenience.
When connecting two differentially balanced components the XLR connection should be used for optimum performance. I know there are some gear that will convert but I still have my doubts as to whether that is as good.Aurender ACS10 w/Audioquest Diamond USB, Esoteric N05xd
Mark Levinson #526, 534 & JBL 4367's
Clearaudio Performance DC w/Maestro cart
Clarus Concerto & their Crimson cables
HT: Marantz AV8003, Linn 5125, JBL SAM3ha, Revel s30,
SVS PC13 Ultra
Transparent, Analysis Plus & Tributaries. PS Audio filtering
Sony XBR-75X940D & BDP
Parasound P6, MBL 8006b, Artisan speakers/subwoofer
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April 29, 2020, 12:46 PM #16
Re: Balanced Interconnects
same question asked over @ Audiocircle. Lets wait a couple days and compare answers ..........
Cheers ! …. Dave
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April 29, 2020, 01:50 PM #17
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Re: Balanced Interconnects
IMO there is no definitive answer that will apply in all cases. It depends on the execution/matching of the components involved and perhaps the environment. And in some cases there will be no audible differences.
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April 30, 2020, 10:05 PM #18
Re: Balanced Interconnects
Preamp/Digital: Meitner MA3
HT Processor: Bryston SP3
Amps: Bryston 14b3, Bryston 4b3
Speakers: Kef Reference 5, Kef Reference 4c
Sub: REL Carbon Special
Power: Shunyata Denali, Bryston BIT15
Wires: Wireworld Silver Eclipse XLR & SC, Ethernet - WW Platinum USB
Other: Stillpoint Ultra SS, ISO-Acoustics ISO Pucks
-Kyle
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May 1, 2020, 11:22 AM #19
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May 2, 2020, 02:13 AM #20
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Re: Balanced Interconnects
Thanks All, I can say the XLR cables do sound different.
I bought a couple of Transparent Music Wave Plus Cables and so far I believe I should I have done this a while back.
We spend so much time and money in upgrading the components when a simple interconnect upgrade is where the benefit is at.
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May 2, 2020, 08:29 AM #21
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Re: Balanced Interconnects
I don't think many will deny that a true fully balanced piece will be significantly more expensive to build with comparable quality components than one that is not, and you will see this reflected in prices. The question is, is it worth it? Some of the best in the world think it is, offering only balanced connections. (Others have made the opposite choice, voting for the simplicity and lower cost of single ended solutions.)
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May 2, 2020, 11:01 AM #22
Re: Balanced Interconnects
Cheers ! …. Dave
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May 3, 2020, 09:31 AM #23
Re: Balanced Interconnects
I used to design broadcast audio gear for a living. How balanced inputs and outputs are designed is more important that the difference between single ended RCA and balanced XLR.
Putting aside the internal balanced component architecture for a minute.....
A well designed balanced input will have significant common mode noise rejection, expressed as the Common Mode Rejection Ratio (CMRR). CMRR is a measure of how well a balanced input stage rejects noise, usually powerline noise. A good input stage will have 60 - 80 dB of CMRR @ 60 Hz. I don’t see a lot of consumer gear manufacturers specifying CMRR. Another advantage of using XLR connectors is they lock, have high pressure contacts, and are just generally physically more robust that RCA.
By contrast, a single ended RCA interconnect has no common mode noise rejection. Worse that that, the cable shield is the signal ground and so you are connecting different component signal grounds together, which, depending on their design, especially power supplies, is inviting hum and ground loops into your system.
On the output side, if a balanced output is truly balanced and floating you can short one side to ground and have the level on the other side double. This is easy to do with transformers, much harder to do with solid state or tube output sections. I suspect most consumer gear won’t pass this test.
As far as sound, well that depends on how well the gear is engineered. Balanced interconnects may require more circuitry, which could degrade the sound. But there are exceptions, like the McIntosh MC 275, where an additional gain section is used for the single ended inputs as opposed to the balanced inputs.
On balance, even for short runs, the advantage of balanced interconnects not running signal ground on the cable shield between components is significant enough that I will default to balanced unless I can prove to myself that unbalanced sounds better or unbalanced is the only alternative.Tom
Audio:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 77
Nottingham Dais with Sumiko Palo Santos Presentation
SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
Video:
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 80, Rega P3
OnDeck:
McIntosh MAC 4300v
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May 3, 2020, 09:31 AM #24
Re: Balanced Interconnects
Dupe
Last edited by W9TR; May 3, 2020 at 07:12 PM. Reason: Duplicate
Tom
Audio:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 77
Nottingham Dais with Sumiko Palo Santos Presentation
SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
Video:
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 80, Rega P3
OnDeck:
McIntosh MAC 4300v
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May 4, 2020, 07:47 AM #25
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May 6, 2020, 09:23 AM #26
Re: Balanced Interconnects
Here are the trade offs:
A well designed transformer has the advantage of galvanic isolation so can eliminate any ground loops.
Transformer distortion is higher than the equivalent balanced electronic circuit and increases with decreasing frequency.
Most high end audio gear uses solid state balanced ins and outs so there really isn’t a lot of choiceTom
Audio:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 77
Nottingham Dais with Sumiko Palo Santos Presentation
SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
Video:
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 80, Rega P3
OnDeck:
McIntosh MAC 4300v
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May 6, 2020, 09:24 AM #27
Re: Balanced Interconnects
Here are the trade offs:
A well designed transformer has the advantage of galvanic isolation so can eliminate any ground loops.
Transformer distortion is higher than the equivalent balanced electronic circuit and increases with decreasing frequency.
Most high end audio gear uses solid state balanced ins and outs so there really isn’t a lot of choiceTom
Audio:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 77
Nottingham Dais with Sumiko Palo Santos Presentation
SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
Video:
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 80, Rega P3
OnDeck:
McIntosh MAC 4300v
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AudioShark forum is a leading forum site for High End Audio Discussion, Stereo System Discussion, Home Theater System Discussion, Best Home Stereo System Discussion, Home Theater Installation Discussion etc.
The AudioShark forum was created for sharing the passion of high-end Audio. We have Audiophiles from all over the world participating and sharing their knowledge. From novice to experts, you will find a friendly environment for discussing about High End Audio, Stereo System, Home Theater System, Home Stereo System, Home Theater Installation, Amplifiers, Speakers, Subwoofers, Integrated System, Acoustic treatments & Digital Room Corrections and many more.
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I upgraded the power supply on my Gigafoil v4 to a Weiss PSU 102. It’s very nice step up. But with the new model, you’re looking at $2000 before even investing in a SOTA linear power supply.
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