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  1. #1
    Senior Member
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    Apr 2013
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    NC
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    Viola Bravo Power

    Has anyone compared the Viola Bravo Power to the stereo D'Agostino? Would the Viola or D'Agostino be a better fit with the TAD reference one's at high decibel levels.
    Gryphon Essence stereo amp and preamp/dac Hurricane power cords
    Fyne Audio F1-10, Lumin T2, Moon 260 Transport
    Shunyata Research Everest, Sigma V2 XC,
    Shunyata Research Sigma USB and Ethernet
    Argento Audio speaker cables and interconnects

  2. #2
    Super Moderator
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    Allen should chime in here. He heard the Viola on the TADs and mentioned it was great. Sounds like an amp after my own heart based on his quote below. I hope you don't mind Allen, but I can really sense your enthusiasm.

    "But it was the Tads that hit all the right buttons with me: dynamic, transparent, warm, full sound. They were driven by Viola amplification with Emm Labs as a source."

    To me, that's a perfect combo. I really need to hear Viola now.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  3. #3
    Senior Member
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    Apr 2013
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    NC
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    Thanks Joe, the Viola is in the same price range as the TAD M-600.
    Gryphon Essence stereo amp and preamp/dac Hurricane power cords
    Fyne Audio F1-10, Lumin T2, Moon 260 Transport
    Shunyata Research Everest, Sigma V2 XC,
    Shunyata Research Sigma USB and Ethernet
    Argento Audio speaker cables and interconnects

  4. #4
    Super Moderator
    Join Date
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    Location
    NY
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    Quote Originally Posted by johnthomas View Post
    Thanks Joe, the Viola is in the same price range as the TAD M-600.
    I had no clue. OMG!
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  5. #5
    Just got back online. Yep, those were my listening notes from the NY Audio show. I spent the most time in this room and the Kondo room. The sound was rich and unfatiguing, and I saw many heads moving to the music vs. analyzing the presentation (to me, that's a good sign).

    I PM'd Joe yesterday saying I'm so jonesing for a pair of CR1s now! I'm in trouble!


    Allen



  6. #6
    Super Moderator
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    Quote Originally Posted by socfan12 View Post
    Just got back online. Yep, those were my listening notes from the NY Audio show. I spent the most time in this room and the Kondo room. The sound was rich and unfatiguing, and I saw many heads moving to the music vs. analyzing the presentation (to me, that's a good sign).

    I PM'd Joe yesterday saying I'm so jonesing for a pair of CR1s now! I'm in trouble!
    Allen,

    You know where to find me Just remember, it's a good kind of trouble.

    Thank you for all your participation!
    Last edited by joeinid; April 14, 2013 at 12:09 PM.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  7. #7
    You are leading me into temptation, Joe...


    Allen



  8. #8
    Super Moderator
    Join Date
    Apr 2013
    Location
    NY
    Posts
    18,726
    Quote Originally Posted by socfan12 View Post
    You are leading me into temptation, Joe...
    Guilty pleasures? Life is too short. Enjoy!
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  9. #9


    Inside

    Measurements from an Italian magazine:

    Correct peak to peak power output should be 460/880/1300 watt in 8/4/2 ohms,
    and 400/710/1150 watt continuous.

    Output current - 44A
    Output voltage cont. in 8/4/2 ohms - 55/52/48V
    Freq. Response - 10-50k -2dB, 10-100k -5dB.
    Damping factor in 8 ohm 10 kHz - 465
    Slew rate - up 30V, down 40V
    S/N - 126 dB Aw

  10. #10
    wizard, once again you have delivered, thanks.

  11. #11
    Thx for this, wizard. Any mention of peak current output?


    Allen



  12. #12

    Re: Viola Bravo Power

    ...

  13. #13

    Re: Viola Bravo Power

    ...

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Viola Bravo Power

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