Enleum

It runs very warm, but not so warm you can't hold your hand on it. After I saw that post I tried that and you can comfortably hold your hand on it indefinitely.

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Wanted to share my thoughts on the Bakoon and speaker pairing. I had initially struggled to find the right amp for my Magico A3s. My old Luxman 505u and a Benchmark AHB2 just were not sufficient for these speakers. Recently I was able to obtain a 13R and the A3s are utterly transformed. Fast, taut, detailed, all without any hint of stridency. I was also able to compare to a Pass 150.8, which has many wonderful qualities, but lacks a bit of treble energy compared to the Bakoon, and isn’t nearly as enjoyable at lower volumes. I also tried the 13R into Sierra 2 EXs and I found them to be less transformative for those speakers. I am absolutely impressed by what this amp is doing and will be obtaining a Enleum down the road for comparison. Got to love it when everything clicks into place.
 
Its your 1st post…youre not allowed to make such claims!!:rofl: jk! Welcome to the forum!

Yes, its a solid amp..and with the right pairing - it performs like the popular, top shelf amps. It never seems to get in the way. I’ve run mine at 100db + (max volume 50) and no sounds of struggle or tonal changes.

Wanted to share my thoughts on the Bakoon and speaker pairing. I had initially struggled to find the right amp for my Magico A3s. My old Luxman 505u and a Benchmark AHB2 just were not sufficient for these speakers. Recently I was able to obtain a 13R and the A3s are utterly transformed. Fast, taut, detailed, all without any hint of stridency. I was also able to compare to a Pass 150.8, which has many wonderful qualities, but lacks a bit of treble energy compared to the Bakoon, and isn’t nearly as enjoyable at lower volumes. I also tried the 13R into Sierra 2 EXs and I found them to be less transformative for those speakers. I am absolutely impressed by what this amp is doing and will be obtaining a Enleum down the road for comparison. Got to love it when everything clicks into place.
 
This just goes to show how important it is to match the amp to speakers. The pairing can make or break the synergy between the two. Never give up.
 
Very positive review of this little piece of magic. I completely agree with just about everything he says. Fact is I’d take this amp over any amp I’ve owned to-date, including the Ayre MX-R Twenties.

Although everyone talks about needing hyper-sensitive speakers, I’ve paired the amp with 89db “at >5 ohm” speakers, even though the speaker manufacturer recommends an amp >50w. In reply to an initial inquiry Soo In did say he thought the amp would be just fine with those speakers. And honestly it’s hard to imagine being happier than this pairing.

http://www.stevehuffphoto.com/2022/05/26/the-enleum-amp23r-left-me-breathless-review/
 
They are superb amps, I can attest to that review running a prior flagship and the same speakers. If my Bakoon 51R ever croaks over, which I doubt it will any time soon, I’m glad I have options, and even be on the positive side recovering shelf space should I go the small footprint route but without sacrificing the sonic qualities. I’m glad its getting its 15 min of fame - Though, I was hoping it wouldn’t become a flavor-of-the-month component. Looks like they are on a campaign :). Regardless, well deserved - these amps flew under radar for a long long time. Steve agrees with me, end game combo for sure. Well at least for me, he’ll tell you something else next year lol.

Cant wait for Soo In’s next component reveal. I hope its something with SATRI/Enlink.
 
Just heard about this little guy and am my trigger finger is getting very itchy. Thinking about replacing my Luxman L-509x in my bedroom system with this. Am I crazy? The 509x is superb--I enjoy it more than the Hegel H390, LTA Z10, Accuphase E650, and ARC Ref 75 SE that came before it. But, when I use the pre-outs into my Luxman M800a its shortcomings (to me) become apparent. Soundstage is not nearly as deep and the presentation is just overall flatter, more forward, and crisp sounding, meaning that tonally it doesn't have the body and 3D realism that the big class A amp does. Still, if I don't compare it directly to the M800a, I am quite happy to settle down with the 509x for my secondary system.

Running it with MSB Analog DAC and Wilson Tunetots + REL T-Zero Mk III sub.

My space is fairly small, I don't listen loudly, and bass slam is not a priority. Rich tone, accurate timbre, soundstage depth and back of stage detail/nuance, 3D imaging of individual instruments are what it's all about for me. I like to be seduced by a good classical (small ensemble, soloist) or jazz performance, but listen to a lot of rock (more indie, less hard stuff), and some R&B, funk, hip-hop, electronic. I love SET tube sound, but heat is a concern. Apparently the Enleum runs hot, but since it's such a small surface area maybe the overall heat output isn't so bad?

Mike's comment about the INT-25 being a step above gives me pause. I had an XA25 and thought it was terrific, but it's too hot and overall the 509x is a better package for me.
 
Just heard about this little guy and am my trigger finger is getting very itchy. Thinking about replacing my Luxman L-509x in my bedroom system with this. Am I crazy? The 509x is superb--I enjoy it more than the Hegel H390, LTA Z10, Accuphase E650, and ARC Ref 75 SE that came before it. But, when I use the pre-outs into my Luxman M800a its shortcomings (to me) become apparent. Soundstage is not nearly as deep and the presentation is just overall flatter, more forward, and crisp sounding, meaning that tonally it doesn't have the body and 3D realism that the big class A amp does. Still, if I don't compare it directly to the M800a, I am quite happy to settle down with the 509x for my secondary system.

Running it with MSB Analog DAC and Wilson Tunetots + REL T-Zero Mk III sub.

My space is fairly small, I don't listen loudly, and bass slam is not a priority. Rich tone, accurate timbre, soundstage depth and back of stage detail/nuance, 3D imaging of individual instruments are what it's all about for me. I like to be seduced by a good classical (small ensemble, soloist) or jazz performance, but listen to a lot of rock (more indie, less hard stuff), and some R&B, funk, hip-hop, electronic. I love SET tube sound, but heat is a concern. Apparently the Enleum runs hot, but since it's such a small surface area maybe the overall heat output isn't so bad?

Mike's comment about the INT-25 being a step above gives me pause. I had an XA25 and thought it was terrific, but it's too hot and overall the 509x is a better package for me.

I’ll happily trade you a 23R for your 509x all day long. [emoji6]


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YT entertainer (Darko?) had a similar speaker when he reviewed the 23R. I recall him saying he preferred something else (Hegel) with the Tunetots and something more efficient with the 23R.

As with many industries still feeling the effects of supply chain…hopefully you can find a dealer that can do a home demo for you. Its a capable amp that from the looks of your aim, can deliver. As always YMMV


Just heard about this little guy and am my trigger finger is getting very itchy. Thinking about replacing my Luxman L-509x in my bedroom system with this. Am I crazy? The 509x is superb--I enjoy it more than the Hegel H390, LTA Z10, Accuphase E650, and ARC Ref 75 SE that came before it. But, when I use the pre-outs into my Luxman M800a its shortcomings (to me) become apparent. Soundstage is not nearly as deep and the presentation is just overall flatter, more forward, and crisp sounding, meaning that tonally it doesn't have the body and 3D realism that the big class A amp does. Still, if I don't compare it directly to the M800a, I am quite happy to settle down with the 509x for my secondary system.

Running it with MSB Analog DAC and Wilson Tunetots + REL T-Zero Mk III sub.

My space is fairly small, I don't listen loudly, and bass slam is not a priority. Rich tone, accurate timbre, soundstage depth and back of stage detail/nuance, 3D imaging of individual instruments are what it's all about for me. I like to be seduced by a good classical (small ensemble, soloist) or jazz performance, but listen to a lot of rock (more indie, less hard stuff), and some R&B, funk, hip-hop, electronic. I love SET tube sound, but heat is a concern. Apparently the Enleum runs hot, but since it's such a small surface area maybe the overall heat output isn't so bad?

Mike's comment about the INT-25 being a step above gives me pause. I had an XA25 and thought it was terrific, but it's too hot and overall the 509x is a better package for me.
 
Yeah Darko reviewed the 23R with the Tunetots and said that it sounded "utterly sublime" with previously unheard "presence and palpability" on indie rock-ish music but lacked low end impact with bass-heavy music, for which the Hegel or NAD M33 better fit the bill. I'm okay with less than stellar bass... but then why give it up? I think I'll stick with the 509x for now. Think I just got caught up in the hype for a moment and dreamed of greener grass on the other side. It took me a while to land on the 509x and it does it for me not only in terms of sound, but also feature set, low heat output, looks, build quality, and TBH pride of ownership. I keep hunting for SET sound in a SS amp; maybe I'll just bite the bullet and buy a true SET for a 3rd system.
 
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