It runs very warm and you can comfortably place your hand on top.
Wanted to share my thoughts on the Bakoon and speaker pairing. I had initially struggled to find the right amp for my Magico A3s. My old Luxman 505u and a Benchmark AHB2 just were not sufficient for these speakers. Recently I was able to obtain a 13R and the A3s are utterly transformed. Fast, taut, detailed, all without any hint of stridency. I was also able to compare to a Pass 150.8, which has many wonderful qualities, but lacks a bit of treble energy compared to the Bakoon, and isn’t nearly as enjoyable at lower volumes. I also tried the 13R into Sierra 2 EXs and I found them to be less transformative for those speakers. I am absolutely impressed by what this amp is doing and will be obtaining a Enleum down the road for comparison. Got to love it when everything clicks into place.
Doesn’t the Enleum run hotter than a tube amp? I thought I read somewhere someone saying he can’t even hold his hand above the amp.
Just heard about this little guy and am my trigger finger is getting very itchy. Thinking about replacing my Luxman L-509x in my bedroom system with this. Am I crazy? The 509x is superb--I enjoy it more than the Hegel H390, LTA Z10, Accuphase E650, and ARC Ref 75 SE that came before it. But, when I use the pre-outs into my Luxman M800a its shortcomings (to me) become apparent. Soundstage is not nearly as deep and the presentation is just overall flatter, more forward, and crisp sounding, meaning that tonally it doesn't have the body and 3D realism that the big class A amp does. Still, if I don't compare it directly to the M800a, I am quite happy to settle down with the 509x for my secondary system.
Running it with MSB Analog DAC and Wilson Tunetots + REL T-Zero Mk III sub.
My space is fairly small, I don't listen loudly, and bass slam is not a priority. Rich tone, accurate timbre, soundstage depth and back of stage detail/nuance, 3D imaging of individual instruments are what it's all about for me. I like to be seduced by a good classical (small ensemble, soloist) or jazz performance, but listen to a lot of rock (more indie, less hard stuff), and some R&B, funk, hip-hop, electronic. I love SET tube sound, but heat is a concern. Apparently the Enleum runs hot, but since it's such a small surface area maybe the overall heat output isn't so bad?
Mike's comment about the INT-25 being a step above gives me pause. I had an XA25 and thought it was terrific, but it's too hot and overall the 509x is a better package for me.
Just heard about this little guy and am my trigger finger is getting very itchy. Thinking about replacing my Luxman L-509x in my bedroom system with this. Am I crazy? The 509x is superb--I enjoy it more than the Hegel H390, LTA Z10, Accuphase E650, and ARC Ref 75 SE that came before it. But, when I use the pre-outs into my Luxman M800a its shortcomings (to me) become apparent. Soundstage is not nearly as deep and the presentation is just overall flatter, more forward, and crisp sounding, meaning that tonally it doesn't have the body and 3D realism that the big class A amp does. Still, if I don't compare it directly to the M800a, I am quite happy to settle down with the 509x for my secondary system.
Running it with MSB Analog DAC and Wilson Tunetots + REL T-Zero Mk III sub.
My space is fairly small, I don't listen loudly, and bass slam is not a priority. Rich tone, accurate timbre, soundstage depth and back of stage detail/nuance, 3D imaging of individual instruments are what it's all about for me. I like to be seduced by a good classical (small ensemble, soloist) or jazz performance, but listen to a lot of rock (more indie, less hard stuff), and some R&B, funk, hip-hop, electronic. I love SET tube sound, but heat is a concern. Apparently the Enleum runs hot, but since it's such a small surface area maybe the overall heat output isn't so bad?
Mike's comment about the INT-25 being a step above gives me pause. I had an XA25 and thought it was terrific, but it's too hot and overall the 509x is a better package for me.