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  1. #51
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    Since they're all made by Scan Speak, they're likely nearly identical. There's not anything new that can be done with silk domes anyway. But I've never seen a nasty 15khz resonance like that on a Scan silk dome.
    Well all I can say is the tweeter in the big Wilsons of the past often made me sad; the ones in the new Alexx really made me happy.

    (As an aside, I am quite sure I can't hear 15k.)

  2. #52
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    Re: Wilson Sabrina Review

    Quote Originally Posted by FlexibleAudio View Post
    (As an aside, I am quite sure I can't hear 15k.)
    I know I can't. As JA said it's really narrow and 3db or so. Same as the internal acoustic resonance he mentions right at 242Hz that would need continuous exciting to entice.

    It has a couple of measurable anomalies for sure but neither should be an issue while listening to music.

  3. #53

    Re: Wilson Sabrina Review

    Quote Originally Posted by FlexibleAudio View Post
    Well all I can say is the tweeter in the big Wilsons of the past often made me sad; the ones in the new Alexx really made me happy.

    (As an aside, I am quite sure I can't hear 15k.)
    I can hear just barely to 15khz, but that isn't what you hear anyway. Highly likely that resonance also creates a spike in odd order distortion that propagates downward, you can hear 5khz and 3khz I'm sure.

    I enjoyed the Alex at Axpona too btw.
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  4. #54
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    I can hear just barely to 15khz, but that isn't what you hear anyway. Highly likely that resonance also creates a spike in odd order distortion that propagates downward, you can hear 5khz and 3khz I'm sure.

    I enjoyed the Alex at Axpona too btw.
    Maybe you can explain to me what's going on specifically? JA says there's a suck out at 15khz and that's what I see on his graph, yet you say peak?

  5. #55

    Re: Wilson Sabrina Review

    Quote Originally Posted by Dr Tone View Post
    Maybe you can explain to me what's going on specifically? JA says there's a suck out at 15khz and that's what I see on his graph, yet you say peak?
    Look at the CSD graph and see how that suckout turns into a ridge of stored energy. Something about the geometry of the rear chamber or pole piece is causing a resonance to form, and there doesn't appear to be any damping inside the motor, so it just rings and rings. I imagine a small disc of damping material inside the rear chamber, about the size of a fingernail, would eliminate that behavior.

    What is really needed to evaluate the audible significance of that behavior is linear and non-linear distortion data, but Stereophile doesn't provide them.
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  6. #56
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    Re: Wilson Sabrina Review

    Doubt that ...

    Looking at the impedance mag/phase i really dont see any nasty resonance that would shine a light on the tweeter at 15K . A closer look at the FR measurements it looks to me more like baffle interference and or mic aberration, maybe a proximity effect due to it's narrow sharp response...

    If it was tweeter resonance i would expect to see something in the Imp/mag/phase response and John's measurement test are not really meant to be complete or deep enuff to show all warts, since being only done at the 2.83V standard.

    IMO, I would like to see the response avg with an increase in test voltage up to say 25 watts rms (worst case) ...

    the Imp/Mag/Phase does tell alot ...



    Regards..
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  7. #57
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    Re: Wilson Sabrina Review

    Actually the CSD graph (in the discussed region) is pretty clean initially and the developed stored ridge is pretty low and late to the party to really have any effect on anything but pure tones, I'm not even sure if removing it at that point would have any positive effect.


    Edit: I can see a possibility of the ridge becoming an issue over extended period in that region (continuous cymbal strikes for eg) it would have been nice to have the THD numbers ...
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  8. #58

    Re: Wilson Sabrina Review

    Quote Originally Posted by a.wayne View Post
    Doubt that ...

    Looking at the impedance mag/phase i really dont see any nasty resonance that would shine a light on the tweeter at 15K . A closer look at the FR measurements it looks to me more like baffle interference and or mic aberration, maybe a proximity effect due to it's narrow sharp response...

    If it was tweeter resonance i would expect to see something in the Imp/mag/phase response and John's measurement test are not really meant to be complete or deep enuff to show all warts, since being only done at the 2.83V standard.

    IMO, I would like to see the response avg with an increase in test voltage up to say 25 watts rms (worst case) ...


    Regards..
    Tweeter resonances often don't show in impedance graphs. Woofer resonances do because it's the heavy moving part resonating which cause the voice coil to wiggle in the gap. And the higher in frequency, the smaller (in physical size) the resonance is, meaning less likely to result in shifting the magnetic field. It's expected not to show on an impedance chart. I've measured and eliminated that type of behavior many times over the years.
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  9. #59

    Re: Wilson Sabrina Review

    Quote Originally Posted by a.wayne View Post
    Actually the CSD graph (in the discussed region) is pretty clean initially and the developed stored ridge is pretty low and late to the party to really have any effect on anything but pure tones, I'm not even sure if removing it at that point would have any positive effect.


    Edit: I can see a possibility of the ridge becoming an issue over extended period in that region (continuous cymbal strikes for eg) it would have been nice to have the THD numbers ...
    Seriously? If that's what you believe, you need to spend more time collecting and interpreting measurement data. I'm not trying to be a know-it-all, but your interpretation is off. That stored energy ridge is nasty, the only saving grace that would make it difficult to hear is high Q. Removing it could only have a positive effect.
    Industry Affiliation: Owner, CEO of Vapor Audio
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  10. #60

    Re: Wilson Sabrina Review

    That's a measurement artifact; JA mentions to disregard it in several past reviews.

  11. #61
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Anatta View Post
    That's a measurement artifact; JA mentions to disregard it in several past reviews.
    Because it's slightly a lower frequency this time he thought maybe not. But in all honesty if it's something he sees in the general area all the time, you have to think maybe it is the same measurement artifact.

    You would have to believe Wilson would try to remove it even in their lowest model if it was easy to do. If it was really there.

  12. #62
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    Re: Wilson Sabrina Review

    Question for Mike,

    Why do have a speaker manufacturer on this forum making comments about another company's products?

  13. #63

    Re: Wilson Sabrina Review

    Quote Originally Posted by mauidan View Post
    Question for Mike,

    Why do have a speaker manufacturer on this forum making comments about another company's products?
    Someone asked me to comment on a tech question in another thread, so I did, then just happened to wander to this thread.

    Since few care about tech, and it often ends up here - with someone getting their knickers in a twist, I'll just keep it to myself.
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  14. #64
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    Re: Wilson Sabrina Review

    I personally like the different thoughts. As long as they are respectful.

    Quote Originally Posted by mauidan View Post
    Question for Mike,

    Why do have a speaker manufacturer on this forum making comments about another company's products?
    Jock

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  15. #65
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    Seriously? If that's what you believe, you need to spend more time collecting and interpreting measurement data. I'm not trying to be a know-it-all, but your interpretation is off. That stored energy ridge is nasty, the only saving grace that would make it difficult to hear is high Q. Removing it could only have a positive effect.
    Did you read both of my comments, i think not and yes i disagree with some of your assertions and will challenge if it's audible.

    BTW, i have been gathering and interpreting loudspeaker measured data and their relevance for decades now, yep, even before there were PC data gathering nimrods who think they invented the loudspeaker. Feel free to Express your professional opinion, but recognize the limitation of doing so, as there's much more to designing a successful loudspeaker than to micro focus on such data, it shouts newbie because every-time you think you do , the audio gods will throw you a curve.


    Regards..

  16. #66
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    Re: Wilson Sabrina Review

    Quote Originally Posted by the professor View Post
    I personally like the different thoughts. As long as they are respectful.
    Agreed.
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  17. #67
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Anatta View Post
    That's a measurement artifact; JA mentions to disregard it in several past reviews.
    Indeed.

    From KEF LS50 review:



    'Ignore the black ridge of delayed energy just below 16kHz in this graph, which is due to interference from the computer's video-display circuitry.'

    http://www.stereophile.com/content/kef-ls50-anniversary-model-loudspeaker-measurements#rFAhhKxhJ84h5v9M.97

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  18. #68
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Anatta View Post
    That's a measurement artifact; JA mentions to disregard it in several past reviews.
    I would be in agreement ...


    Quote Originally Posted by a.wayne View Post
    Doubt that ...

    Looking at the impedance mag/phase i really dont see any nasty resonance that would shine a light on the tweeter at 15K . A closer look at the FR measurements it looks to me more like baffle interference and or mic aberration, maybe a proximity effect due to it's narrow sharp response...

    If it was tweeter resonance i would expect to see something in the Imp/mag/phase response and John's measurement test are not really meant to be complete or deep enuff to show all warts, since being only done at the 2.83V standard.

    IMO, I would like to see the response avg with an increase in test voltage up to say 25 watts rms (worst case) ...

    the Imp/Mag/Phase does tell alot ...



    Regards..
    If it was more obvious on the Imp/mag/phase graph i would be in agreement with Mr Vapor..

  19. #69
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    Re: Wilson Sabrina Review

    Quote Originally Posted by mauidan View Post
    Question for Mike,

    Why do have a speaker manufacturer on this forum making comments about another company's products?

    I like it too......a lot. I haven't heard any illogical proclamations marketing the Vapor line just pretty good science imo.

  20. #70

    Re: Wilson Sabrina Review

    Quote Originally Posted by a.wayne View Post
    Did you read both of my comments, i think not and yes i disagree with some of your assertions and will challenge if it's audible.

    BTW, i have been gathering and interpreting loudspeaker measured data and their relevance for decades now, yep, even before there were PC data gathering nimrods who think they invented the loudspeaker. Feel free to Express your professional opinion, but recognize the limitation of doing so, as there's much more to designing a successful loudspeaker than to micro focus on such data, it shouts newbie because every-time you think you do , the audio gods will throw you a curve.


    Regards..
    I suppose I'll continue the conversation, most seem cool with it.

    So, let's assume the measurement shows a real anomaly. It appears to be a cavity resonance causing destructive interference with the in phase impulse. The question isn't whether it's audible, the question is under what conditions will it be audible. With distortion data we could tell if it propagates downward as odd order harmonics. It likely does, but silk domes being highly damped likely lessen it significantly. But if it does propagate downward to 5khz, and 3khz as distortion spikes, how could you possibly discard it as inaudible? If you've collected so much data, certainly you realize that resonances result in odd order harmonics as well, not just the fundamental seen in FR data.

    The second question is why, knowing that a problem is there, would a manufacturer not do something about it? I've seen tweeters show cavity resonances very similar to this before, and assuming that's what it is, they're pretty simple to alleviate. Dave Wilson might have a perfectly reasonable answer, I don't know, I'm going on a lot of assumptions here. But it seems to me it would be like shipping a pair of speakers that have a flaw in the finish and saying "that's not visible". I don't argue that the issue is small, and for most listeners under most conditions would be very close to inaudible. It might equate to .1% of the total value for the speakers sound, but I also think most here would rather have that .1% back than not.
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  21. #71
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    Re: Wilson Sabrina Review

    Since there's no THD plot to support your hypothesis , Im pretty confident if it was cavity resonance it would show up on the impedance graph..

    So i'm in Agreement with JA take on it ..

    BTW Dave Wilson voices his drivers when selecting and more specifically voices in the final sound of his speakers the same. The measurements reflects the voicing , not the other way around ....


    Regards

  22. #72

    Re: Wilson Sabrina Review

    Quote Originally Posted by a.wayne View Post
    Since there's no THD plot to support your hypothesis , Im pretty confident if it was cavity resonance it would show up on the impedance graph..

    So i'm in Agreement with JA take on it ..
    Incorrect, I even explained to you earlier why tweeter resonances don't often show on an impedance graph and you're still sticking with it? And a cavity resonance is even more likely NOT to show, because it's not the dome itself resonating, so even LESS likely to produce a wobble in the voice coil. If you're as technically proficient as you claim, that should be easy to grasp ... but here's proof.

    This is a tweeter that shows almost the EXACT same cavity resonance behavior. On axis there's a suckout that turns into a ridge of stored energy. But will you look at that, narry a blip in the Imp trace. And look at the Distortion graph too, oh gee maybe I'm not a noob, there are spikes in 3rd and 5th order at 5khz and 3khz just as I expected.








    BTW Dave Wilson voices his drivers when selecting and more specifically voices in the final sound of his speakers the same. The measurements reflects the voicing , not the other way around ....
    I'm pretty sure that how almost everybody does it. But there's no way anybody intentionally voices in a 15khz cavity resonance.
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  23. #73
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    Re: Wilson Sabrina Review

    I have to disagree ( regretfully ) as Suggested before it will show if it's that aggressive as in the wilson, ( unless tamed in the xover) and surely when testing the raw driver, you do know what causes the wrinkles in impedance graphs and you will see it in the FR.

    Maybe Atkinson and I are wrong on this , but it does appear not to be driver related, is this where i post a graph showing the opposite , then what ..?

  24. #74
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    Re: Wilson Sabrina Review

    BTW: I do appreciate the graphs and the discussion , but i find the resolution poor on your imp graph , it would be hard to see wrinkle traces from that graph, nor am I saying its impossible that it won't show or one cant find a situation where it does not show, I'm saying its unlikely in the situation as presented by Stereophile .

    Was That FR done with a baffle ..?

  25. #75

    Re: Wilson Sabrina Review

    For the 3rd time now, cavity resonances in soft dome tweeters DO NOT show in impedance traces. It should be pretty obvious for the reasons I spelled out before why that's the case. Maybe if you 10x zoomed into just that area, you might see a hint of a wiggle. Instead of knee jerk defending your position, please take a step back and reevaluate.

    Also the FR anomaly and correlating CSD energy storage of the tweeter I posted are essentially identical to the Sabrina tweeter, the graphs I posted couldn't be a more perfect analogy. Yet just as I predicted, neither shows a blip in impedance. Also just as predicted, there is odd order distortion spikes propagating downward ... and further as I predicted, those spikes are significantly damped because of the nature of silk dome tweeters. Having seen that type of behavior first hand many times, I know that it's very likely it could be eliminated with just a small wad of damping/stuffing inserted into the pole or rear chamber.

    And no, you cannot 'tame' a high Q resonance like that in the crossover. #1 it's too narrow to target, #2 it's a suckout and not a peak, and #3 passive components cannot change the geometry inside the pole/chamber to prevent standing wave formation.
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  26. #76
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    Re: Wilson Sabrina Review

    Mr Vapor ,

    I'm trying and yes your graphs do mimic what you discuss , our discrepancy is if it would show in the impedance graph , could you Measure that tweeter again with LMS ( better resolution ) and if you could let us see what else changes when you stick that wad in , or did you believe in 50 yrs you were the first to do so...



  27. #77
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    Re: Wilson Sabrina Review

    BTW,


    I never said or meant to say you could tame it (FR) i said, tame it in the Imp graph , the xover could mask it.

    You did not answer my baffle question , did you measure with a baffle ..?

  28. #78

    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    For the 3rd time now, cavity resonances in soft dome tweeters DO NOT show in impedance traces. It should be pretty obvious for the reasons I spelled out before why that's the case. Maybe if you 10x zoomed into just that area, you might see a hint of a wiggle. Instead of knee jerk defending your position, please take a step back and reevaluate.

    Also the FR anomaly and correlating CSD energy storage of the tweeter I posted are essentially identical to the Sabrina tweeter, the graphs I posted couldn't be a more perfect analogy. Yet just as I predicted, neither shows a blip in impedance. Also just as predicted, there is odd order distortion spikes propagating downward ... and further as I predicted, those spikes are significantly damped because of the nature of silk dome tweeters. Having seen that type of behavior first hand many times, I know that it's very likely it could be eliminated with just a small wad of damping/stuffing inserted into the pole or rear chamber.

    And no, you cannot 'tame' a high Q resonance like that in the crossover. #1 it's too narrow to target, #2 it's a suckout and not a peak, and #3 passive components cannot change the geometry inside the pole/chamber to prevent standing wave formation.

    Interesting re the Damping/stuffing you mention--the original WaTT Focal Tweet had Tube trap arrangement inserted in the pole piece/magnet assembly-it was if I recall a short length of Clear hosing encasing shot pellets with cork plug

    Should we presume this is this was the early answer to your "damping/etc" quote--and possibly similar could be applied in this case?

    Good thread

    Bruce

  29. #79
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    For the 3rd time now, cavity resonances in soft dome tweeters DO NOT show in impedance traces. It should be pretty obvious for the reasons I spelled out before why that's the case. Maybe if you 10x zoomed into just that area, you might see a hint of a wiggle. Instead of knee jerk defending your position, please take a step back and reevaluate.

    Also the FR anomaly and correlating CSD energy storage of the tweeter I posted are essentially identical to the Sabrina tweeter, the graphs I posted couldn't be a more perfect analogy. Yet just as I predicted, neither shows a blip in impedance. Also just as predicted, there is odd order distortion spikes propagating downward ... and further as I predicted, those spikes are significantly damped because of the nature of silk dome tweeters. Having seen that type of behavior first hand many times, I know that it's very likely it could be eliminated with just a small wad of damping/stuffing inserted into the pole or rear chamber.

    And no, you cannot 'tame' a high Q resonance like that in the crossover. #1 it's too narrow to target, #2 it's a suckout and not a peak, and #3 passive components cannot change the geometry inside the pole/chamber to prevent standing wave formation.
    Mr Vapor,

    To iterate , I'm suggesting resonances will show up in the impedance Graph when seen in the FR graph and is also confirmed by the CSD plot ...

    Cabinet interaction and or mic proximity errors may not show in the Impedance graph,

    BTW, may i suggest a different software, the graph you posted had poor resolution and may have shown the error , but i could not tell .

    How did the tweeter FR change after damping as you suggest, what about adding mass, ever tried, as BL changes the effect ..


    Regards..
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    Re: Wilson Sabrina Review

    BTW,

    I Thought you might find this interesting .....
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    Re: Wilson Sabrina Review

    Adam

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  32. #82
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Elberoth View Post
    Adam,

    Mahalo for the link.

    Interesting to compare with KH's measurements of the Sophia 3s and Magico S3s.

    Have you ever seen measurements for the Magico S1s?

  33. #83
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    Re: Wilson Sabrina Review

    No, but if you are willing to spend 1 euro, you can get a full Stereoplay test with a set of measurements:

    http://www.testberichte.de/d/einzelt...ay-365401.html

    Update:

    No need to spend the $$$:

    http://www.audio-components.de/asset...Stereoplay.pdf
    Adam

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  34. #84
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    Re: Wilson Sabrina Review

    Absolutely love the Sabrinas when set up properly.

  35. #85

    Re: Wilson Sabrina Review

    Quote Originally Posted by Elberoth View Post
    Thanks, shows the exact same tweeter resonance, so obviously it's a real thing.
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  36. #86
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    Re: Wilson Sabrina Review

    Should we ask Mr Howard for the impedance graph ,,,,,

    The measured report is pretty vague and that's a pretty choppy graph , I'm guessing gated in room response hence possible falsies ....


    They did give it a big Subjective thumbs up .....

  37. #87
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    Re: Wilson Sabrina Review

    My disappointment with the newer Wilsons is they have become more inefficient. The Sabrina reviews clearly point this out and seems a continuation of the Alexia.
    Brinkmann Bardo w/ EMT HSD-006 cart, MSB Reference DAC --> Linear Tube Audio MicroZOTL --> Ampzilla 2000, 2nd Edition --> Fyne Audio F1-12

  38. #88
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    Re: Wilson Sabrina Review

    With small speakers you will lose sensitivity in order to get a good balance and wide-bandwidth ..

    Only a large multi driver system will give you both ...

  39. #89
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    Re: Wilson Sabrina Review

    Quote Originally Posted by KeithR View Post
    My disappointment with the newer Wilsons is they have become more inefficient. The Sabrina reviews clearly point this out and seems a continuation of the Alexia.
    From what I've read, to go low in a smaller cab you have to give up some efficiency.

    http://www.salksound.com/wp/?p=56

  40. #90
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    Re: Wilson Sabrina Review

    the Alexia isn't particularly easy to drive and has quite a large cabinet. Wilson has just become tougher to drive these days. same with the new Alexx that I heard a few weeks back.
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  41. #91

    Re: Wilson Sabrina Review

    Quote Originally Posted by Dr Tone View Post
    From what I've read, to go low in a smaller cab you have to give up some efficiency.
    Pick 2, can't have them all ... physics is a bitch!

    Small Cabinet
    High Sensitivity
    Low Bass Extension

    Typically to get around the nasty laws of our Universe, manufacturers just fudge the specs.
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  42. #92
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    Re: Wilson Sabrina Review

    Quote Originally Posted by Vapor1 View Post
    Pick 2, can't have them all ... physics is a bitch!

    Small Cabinet
    High Sensitivity
    Low Bass Extension

    Typically to get around the nasty laws of our Universe, manufacturers just fudge the specs.
    Old guys like me remember this speaker design boundary as "Hoffman's Iron Law"
    DPT4ME - Dynamics, Presence & Tone for Musical Engagement; MBP (3) - stripped down for music only; Shunyata Omega & Sigma USBs; ISO REGEN w/short Curious USB links; Berkeley Alpha USB; Aqua La Scala II Optologic DAC; Schiit Yggdrasil - fully updated; Ayre Codex dac - updated; Pass Labs INT-60 integrated amp; Wyred 4 Sound STP-SE-2 preamp, Quicksilver Mono 120 amps w/Tung-Sol KT150s; Quicksilver Mid Mono amps w/Gold Lion KT77s; Fyne Audio 703s; Symposium Svelte Plus & Ultra Platforms; REL S-812 subwoofers; Duelund DCA12GA speaker cables; AV Room Service EVPs, Stein Music Harmonizers, Duelund DCA16GA & 20GA ICs; Shunyata Denali 6000S/V2; Tripp Lite PCs; Wyred 4 Sound power cords; AudioDharma cable cooker; dedicated custom room; various GIK & ASC room treatments; etc.

    www.getbettersound.com

  43. #93
    Senior Member
    Join Date
    Sep 2014
    Location
    USA
    Posts
    3,381

    Re: Wilson Sabrina Review

    Deleted.
    "No summit worth climbing is easily attained."
    --------------------------------------------
    Source: MSB Select II DAC with Two Mono Powerbases and Femto 33 Clock; Renderer V2 Digital Input Module and Roon Nucleus Plus; MSB UMT V Signature Transport
    Amps: Vandersteen M7-HPA Mono Amps; MSB M204 Mono Amps
    Speakers: Vandersteen Model 7 Mk2
    Power: Two AudioQuest Niagara 5000’s with AudioQuest Dragon and Hurricane Power Cords

  44. #94
    Banned
    Join Date
    Apr 2016
    Location
    Calgary, AB
    Posts
    316

    Re: Wilson Sabrina Review


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Wilson Sabrina Review

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