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  1. #1

    the preamp/amp question

    I was wondering everyones opinion on matching vs mixing the preamp/amp with what experience everyone has had. Does it require you to match up a amp with the company preamp or vise versa to get the most out of one and the other? To make the questions simple we can stick to solid state. Also, I am not trying to discuss voltage match up or pin polarity issues, just overall getting the most out of the product.

    Take Joe's recent purchase the Dan m400's. they were definitely intriguing for me but then a think will it match the burmester 088 or would I need to get the matching preamp one day to really see what the amps really should sound like.
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  2. #2
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    Re: the preamp/amp question

    I personally (and from my own experience) don't feel it's absolutely necessary to have the same company preamp and amp to have ultimate synergy. Sure matching can be easy. But some preamps have their own sound/flavor and amplifying that can bring nirvana.
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  3. #3
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    Re: the preamp/amp question

    I agree with Joe that it's not generally required to match a company's pre and power amps, and that with some combinations you can achieve excellent results with well matched amplification across manufacturers. Although a mismatch can occur if you don't have the opportunity to try various combinations, and by staying with one brand's electronics you can purchase a combination with more confidence in a synergistic outcome.

  4. #4

    Re: the preamp/amp question

    This is exactly where a knowledgeable dealer really earns your business. I never would have thought about combining a Soulution 520 pre/Hegel H30 amp/Revel Salon2 system without encouragement from an experienced dealer. To my ears, in my large 17x37' room the mix was superior to the much-more-expensive Soulution monos, which were better-suited to the watt-greedy Revels only in a more modestly sized 14x19' room.
    Parker

  5. #5
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    Re: the preamp/amp question

    I pretty much am in agreement with Audio Bill. To get the synergy and "house sound" the designer was going for I like same brand pre/power. Secondly, I would at least to same topology, for example, differentially balanced with same, I personally wouldn't mixed single ended with true balanced. I personally would have thought D'Agostino and Mac would be a poor match, them not being same sonic signature or character. So my 3rd stage is at least trying to keep with same character, like warm with warm, etc.

    With that being said there are always those exceptions. And, that's my biasess, many mix and seem to be happy. It can be fun as well.
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  6. #6

    Re: the preamp/amp question

    I recently had an Aries Cerat preamp in my Soulution system & I was stunned.

  7. #7

    Re: the preamp/amp question

    Also agree with the previous statements. There can be a house-sound synergy, but that does not always equal to better sound. I am currently combining an Ayre pre with a Pass power amp to great results. Had an Ayre/ Ayre combination before which was also fine.

    It is also quite popular to combine a tube pre with a SS power amp to get the best of both worlds. The only thing is that bias between pre and power amps should match, and as Mr Peabody indicates, fully balanced design power amps sound best when combined with fully balanced pre amps.


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  8. #8
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    Re: the preamp/amp question

    Full agreement, a buddy of mine runs the ARC 6 with his Esoteric amps and has no issue with sound, but you really need to see how it sounds in your entire system with cables, power and the room itself to not go sideways. For me I’m conservative matching the pre and amps.


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    Re: the preamp/amp question

    Some of you have drifted from the Op's request to keep this 'all SS' and inject tubes into the mix (Ok in my book) yet no one has yet to mention arguably the single most 'technical concern' when mixing different manufactures pieces ....... impedance matching.

    With that the general accepted 'common' is that the input impedance of the amp should be 10 or more times greater than the output impedance of the preamp. This figure is usually at the frequency where the preamp output impedance is at it's highest.

    If the above is to be of a concern it's more often than not found in the tube pre to SS amp scenario
    Cheers ! …. Dave

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    Re: the preamp/amp question

    Quote Originally Posted by joeinid View Post
    I personally (and from my own experience) don't feel it's absolutely necessary to have the same company preamp and amp to have ultimate synergy. Sure matching can be easy. But some preamps have their own sound/flavor and amplifying that can bring nirvana.
    Hi Joe,

    Too bad you sold the Ayre KXR Twenty preamp. I was reading that someone tried both and actually preferred the KXR Twenty preamp to the Momentum preamp with the M400 monoblocks. He said it was a synergistic combo. The KXR Twenty is a terrific preamp!

    Best,
    Ken
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  11. #11
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    Re: the preamp/amp question

    Sorry to drift a little off topic.

    While I had and loved the KXR-20 and MXR-20 combo, I tried each individually with other amp and preamp combinations. I have to be honest and say that while the KXR-20 is spectacular in its own right, I would have preferred a fuller and more meaty tone. Even the Ayre combo was just a bit too thin for my taste but still amazing. Ayre has probably the best treble and mids in that they are smooth and a bit sweet with absolutely zero harshness and sibilants. Ayre is a paragon in that way, but give me that smooth and sweet treble with a thicker tone and you have a world beater on your hands. It may be out there but I have not found it. You all can think I am crazy but I've had my time with the KXR-20 and am not looking back.

    Quote Originally Posted by Alpinist View Post
    Hi Joe,

    Too bad you sold the Ayre KXR Twenty preamp. I was reading that someone tried both and actually preferred the KXR Twenty preamp to the Momentum preamp with the M400 monoblocks. He said it was a synergistic combo. The KXR Twenty is a terrific preamp!

    Best,
    Ken
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  12. #12

    the preamp/amp question

    I like your audio gear choices Joe, let me know when you find the thing that does what the KX-R does with a bit of added warmth and I’m right behind you.


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  13. #13
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    Re: the preamp/amp question

    Thanks!!!

    I like, actually love, a lot of gear. My ears are my own and I know what I like. I could have, no wait - should have stopped , long ago but I love to play with shiny new toys.

    I can not wait to try my Luxman preamp with the D'Ag M400 amps.

    Quote Originally Posted by Kuoppis View Post
    I like your audio gear choices Joe, let me know when you find the thing that does what the KX-R does with a bit of added warmth and I’m right behind you.


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  14. #14

    Re: the preamp/amp question

    Quote Originally Posted by joeinid View Post
    I can not wait to try my Luxman preamp with the D'Ag M400 amps.
    I’m sure that is an incredible pairing, looking forward to your impressions.


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    Small rig: Naim UnitiServe/ Curious USB/ Tidal/ Linn Klimax DS3/ Shunyata Power cable/ Pass Labs INT-60/ Acoustic Zen Silver Reference II/ HiD Diamond 8/ Harbeth 30.2 40th Anniversary/ Shunyata Venom EU7 & Venom 3 HD.

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  15. #15
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    Re: the preamp/amp question

    Joe, reading your taste in sound, what drew you to the 400's? I've heard D'Agostino several times and "meaty" is not an adjective I'd ever come up with. Which of your speakers do you find them sounding their best with? I bet they'd slam with the 4367's.

    I really hope to hear Ayre and Bryston this year. I heard a great Bryston set up but didn't get much time in the room.?
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  16. #16
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    Re: the preamp/amp question

    Joe

    Based on Doug's review in Soundstage the C900u paired with the Dag's should be something else. Curious also how the "lowly" LTA stacks up in that company.
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  17. #17
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    Re: the preamp/amp question

    I had an original D'Ag S200 stereo amp and absolutely believe that had a thicker tone to it. Maybe denser is a better term for what I remember hearing. Granted, I have not heard these M400s yet but based on what Jock and others have told me in the past, I am confident in my choice.

    Ayre will be SUPERB with the 4367. I suspect the M400s will be awesome as well. I have some experimenting to do once the amps arrive.

    One of my all time favorite, bar none, combos was my CJ GAT and ART monos on my Studio2. That just did me in, no sleep kind of sound. Turning off that combo every night was torture, absolute torture. One more song turned into daylight streaming through the windows. I don't know why or how, but the CJ/Studio2 combo was even better to my ear than with my beloved Strads. Tweeter related perhaps? Sure the Strads had a bigger and more room filling presentation but something about the Studio2/CJ combo was sublime. I may go back there someday, but right now, hopefully the Revel/Harmon/D'Ag combos will do the trick.



    Quote Originally Posted by Mr Peabody View Post
    Joe, reading your taste in sound, what drew you to the 400's? I've heard D'Agostino several times and "meaty" is not an adjective I'd ever come up with. Which of your speakers do you find them sounding their best with? I bet they'd slam with the 4367's.

    I really hope to hear Ayre and Bryston this year. I heard a great Bryston set up but didn't get much time in the room.?
    Last edited by joeinid; February 23, 2018 at 11:05 PM.
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  18. #18
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    Re: the preamp/amp question

    Jack,

    I think both will be great. My gut tells me that the Luxman C900u and D'Ags will be superb. I love that preamp too. I think I love it more than the Ayre for my taste.

    The guy who purchased my ARTsa amp a while ago just got the BHK Signature preamp to replace his CJ ET3se and is in heaven now. Absolutely loves that combo. I love the BHK preamp as well. Sure it's a tiny bit quirky but that preamp does not get the respect it deserves.

    Quote Originally Posted by Jack View Post
    Joe

    Based on Doug's review in Soundstage the C900u paired with the Dag's should be something else. Curious also how the "lowly" LTA stacks up in that company.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  19. #19
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    Re: the preamp/amp question

    Glad he likes the BHK and I guess the "little" SE quirk doesn't bother him because if it doesn't the sound should be superb. It will be interesting though to see how the "little guy preamp" stacks up with the "big boys."
    Main - JVC QL-Y7/Denon DL-301 Mk II, Gold Note PH-10, Jays CDT3 Mk3 , Auralic Aries G2.2, Holo May KTE, Supratek Cabernet, Kinki Studio EX-B7 monoblocks, Verity Audio Otello, (2) Rythmik F12SE, Audio Envy IC, SC & PC's, Triode Wire Lab PC's, Inakustik USB and I2S, (2) Puritan Audio Labs PSM-156 with Groundmaster City, Timbernation rack

    Family Room - Oppo UDP-203, Auralic Aries, Aqua La Voce S3, Kinki Studio EX-M1+, Nola KO, (2) Rythmik F-12G, Wireworld SC & IC's, Neotech PC's, SurgeX SA-1810

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  20. #20

    Re: the preamp/amp question

    I think at times when your searching for "that sound" and you have many different components such as dac, preamp, amp, speakers, cables; how are you suppose to figure out which one is preventing "that sound" form happening? I have stopped myself from changing my burmester combo bc I find nothing wrong with it and I like the ignorance of not knowing otherwise. the main part that I did listen to before purchase were speakers. I tried all the major ones to hear their house sound before I decided on magico.
    burmester 088/911, rega rp6, sumiko blackbird, magio S3, rel g1's, rogers pa1a, nos telefunkens, wireworld plat. ic, sc
    chord dave, microrendu, uptone lps 1

  21. #21
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    Re: the preamp/amp question

    That is a great question. I do change gear around a lot but also listen to what is setup a lot. It takes a while to learn what something is doing, but you are right, sometimes I (we) make an assumption on what we think something sounds like and have been all wrong. I try to be patient and just listen. The better gear rises to the top naturally.

    There are no absolutes. "Ignorance is bliss" and I try and shut out a lot of the noise from everywhere else. What my head wants and what my heart wants are usually two separate things. Trying to reconcile the two is difficult.


    Quote Originally Posted by drabbish View Post
    I think at times when your searching for "that sound" and you have many different components such as dac, preamp, amp, speakers, cables; how are you suppose to figure out which one is preventing "that sound" form happening? I have stopped myself from changing my burmester combo bc I find nothing wrong with it and I like the ignorance of not knowing otherwise. the main part that I did listen to before purchase were speakers. I tried all the major ones to hear their house sound before I decided on magico.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  22. #22
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    Re: the preamp/amp question

    Quote Originally Posted by joeinid View Post
    Sorry to drift a little off topic.

    While I had and loved the KXR-20 and MXR-20 combo, I tried each individually with other amp and preamp combinations. I have to be honest and say that while the KXR-20 is spectacular in its own right, I would have preferred a fuller and more meaty tone. Even the Ayre combo was just a bit too thin for my taste but still amazing. Ayre has probably the best treble and mids in that they are smooth and a bit sweet with absolutely zero harshness and sibilants. Ayre is a paragon in that way, but give me that smooth and sweet treble with a thicker tone and you have a world beater on your hands. It may be out there but I have not found it. You all can think I am crazy but I've had my time with the KXR-20 and am not looking back.
    Hi Joe,

    I apologize for taking the thread a bit off topic. I am happy to read that you tried the KXR Twenty with other amp combinations before you sold it. If it was sounding on the thin side in your system then you made the right decision. I hope the Luxman preamp gives you the meatier sound you desire. If not, there’s always the option to save up for the Momentum preamp. I think getting the M400’s will be huge step forward with your system, once you find the appropriate matching preamp.

    All the best,
    Ken
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    --------------------------------------------
    Source: MSB Select II DAC with Two Mono Powerbases and Femto 33 Clock; Renderer V2 Digital Input Module and Roon Nucleus Plus; MSB UMT V Signature Transport
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  23. #23
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    Re: the preamp/amp question

    Thank you Ken, absolutely no worries. I don’t mean to knock the KXR20. It really is a superb preamp. I guess I’m a little spoiled. I would be surprised if my Luxman wasn’t a great match with the D’Agostino amps. I had the first Momentum preamp and I think Jock did too. We both preferred the KXR20 over it but it was great too. There’s a chance I might do tubes on the M400s. First with my little MZ2 then something else. I’d love to try a GSPre.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

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the preamp/amp question

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