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  1. #101
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    Re: Harbeth 30.2 40th Anniversary Edition Review

    Quote Originally Posted by TheOctopus View Post
    These monitors create a soundstage like any other smaller speaker. In fact monitors often image better than bigger, boxier speakers.
    The 30.2 seem to sign off completely on any audible bass around 30 Hz from the frequency sweeps I have done so far in my 26x31 room and away from wall boundaries/reinforcement but the rest is there just not as prominent up until 50Hz and up. Bass frequencies are not directional like the higher frequencies to our ears so have nothing to do with a soundstage per say. Having said that, any time a well placed subwoofer is used, it does tend to create an "illusion" of more focused and fleshed out instruments that have presence in the bottom octaves. It's just an illusion. This is not a bass head speaker by any means though. All the acoustical bass instruments are still present and accounted for in a more natural way like you would hear at any live event with acoustic instruments playing in some acoustic space large enough to house an audience.
    The 30.2 do well with soundstage, but I don't agree with your assessment. To me the 30.2 is for the person who wants to have great sound without much fuss and just enjoy the music. The recessed soundstage is incredible to me and done in a way I've heard no other speaker do it, and I guess in that way it could be unique. However, for sheer soundstage and overall audiophile qualities, these have fallen short compared to the Rosso Fiorentino Fiesole at a similar price, especially given space to breathe. The 30.2 are less fussy with electronics IMO and hold their tone well.

    Regardless, I find that each speaker has their audience and fit to a room. It seems much of my offerings have evolved around monitors/stand mounts and integrated amplifiers and the great thing is each one is unique.

  2. #102

    Re: Harbeth 30.2 40th Anniversary Edition Review

    Quote Originally Posted by DSkip View Post
    The 30.2 do well with soundstage, but I don't agree with your assessment. To me the 30.2 is for the person who wants to have great sound without much fuss and just enjoy the music. The recessed soundstage is incredible to me and done in a way I've heard no other speaker do it, and I guess in that way it could be unique. However, for sheer soundstage and overall audiophile qualities, these have fallen short compared to the Rosso Fiorentino Fiesole at a similar price, especially given space to breathe. The 30.2 are less fussy with electronics IMO and hold their tone well.

    Regardless, I find that each speaker has their audience and fit to a room. It seems much of my offerings have evolved around monitors/stand mounts and integrated amplifiers and the great thing is each one is unique.
    I am not familiar with Rosso Fiorentino so can't comment which is better in terms of soundstage and audiophile qualities. Harbeth would not be necessarily my first choice if I was concerned with those parameters. I've owned enough speakers that did all that very well but left me cold in the end. With the 30.2's I don't think about those things, I just get lost in the music!

  3. #103
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    Re: Harbeth 30.2 40th Anniversary Edition Review

    That was my point Serge Harbeth is the music-lovers speaker that really leave little to complain about.

    RF has a similar tone to the Harbeths but also offer the audiophile qualities to the mix. I won't go further as that isn't the point of this thread, but if you like the 30.2s, you will likely love the Fiesole.

  4. #104

    Re: Harbeth 30.2 40th Anniversary Edition Review

    Quote Originally Posted by DSkip View Post
    That was my point Serge Harbeth is the music-lovers speaker that really leave little to complain about.

    RF has a similar tone to the Harbeths but also offer the audiophile qualities to the mix. I won't go further as that isn't the point of this thread, but if you like the 30.2s, you will likely love the Fiesole.
    If I ever get a chance I would happily audition just for fun but the 30.2 are keepers. It was love at first listen

  5. #105

    Re: Harbeth 30.2 40th Anniversary Edition Review


  6. #106
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    Re: Harbeth 30.2 40th Anniversary Edition Review

    Sounds awesome!
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  7. #107
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    Re: Harbeth 30.2 40th Anniversary Edition Review

    Quote Originally Posted by Anatta View Post
    Which you like better ? Luxman or Primaluna ?


    Sent from my iPhone using Tapatalk
    Paul

  8. #108

    Re: Harbeth 30.2 40th Anniversary Edition Review

    Quote Originally Posted by Paul View Post
    Which you like better ? Luxman or Primaluna ?

    Sent from my iPhone using Tapatalk
    Summerhouse upgrade finalized. Heard TAD ME-1 (superb details, excellent top to bottom reach), Sonus Faber Homage Tradition (gorgeous build, superb mids and highs) and Harbeth 30.2 (natural sound, voice world champions).

    Can’t help, just like the Harbeth sound. And I want something else than what I have in the in the main system.

    I know it’s blasphemy, but for me the grilles are off. Otherwise I find them too mellow.


    Sent from my iPad using Tapatalk
    “Life’s too short to listen to bad audio.”

    Big rig: Brinkmann Taurus DD TT + 12.1 arm + Lyra Etna Lambda SL MC + HRS M3X2/ Cardas Clear Beyond phono/ Stillpoints LPI/ Brinkmann Edison mk2 phono + RöNT II Tube PS/ Synology NAS with Roon + HD Plex linear PSU + Shunyata HD/ AQ Vodka RJ45 + Aqvox Network Switch SE + AQ Diamond RJ45 into DAC/ Brinkmann Nyquist mk2/ Audionet Humboldt/ Cardas Clear Beyond ICs/ Kharma DB9-S 1.1 LS/ Inakustik Reference LS 4004 AIR/ Audioquest Niagara 5000/ Shunyata Alpha power (HC, Analogue, Digital)/ Finite Elemente Pagode Rack/ Stillpoints Ultra SS/ Vicoustic panels + Stillpoints Aperture II.

    Small rig: Naim UnitiServe/ Curious USB/ Tidal/ Linn Klimax DS3/ Shunyata Power cable/ Pass Labs INT-60/ Acoustic Zen Silver Reference II/ HiD Diamond 8/ Harbeth 30.2 40th Anniversary/ Shunyata Venom EU7 & Venom 3 HD.

    HP rig: MacBookAir/ Tidal/ Auralic Gemini 2000/ Sbooster LPSU/ Audeze LCD-2 Classic + WyWires Red/ Shunyata HD/ Shunyata Hydra 2/ Shunyata Venom.

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Harbeth 30.2 40th Anniversary Edition Review

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