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  1. #1
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    I finally got to hear 40.1's today ....

    Wow! Holy cow. I am going to LOVE them. I bought another pair of stands for my non-existent speakers from someone in NJ through ebay.

    He has them setup up on lower stands for his room, the reason why I bought his.

    I listened for about 40 minutes. I was blown away. These will be amazing. Amazingly sweet vocals. The sound was so present in the room. Full bass and sweet top end. OMG! I can't take the wait now. I had no idea how amazing they'd sound.

    Jerome, my friend, you are 100% right. The 40.1 are stunning.

    Bruce was with me and here's what he said ...

    "The Harbeths are so different.**So much presence and immediacy.**Ridiculous upfront midrange.**It's hard to imagine anyone not loving what we heard today.**Female vocals are off the chart beautiful."

    The grills were on when we heard them.

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    Last edited by joeinid; August 2, 2014 at 11:01 PM.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  2. #2
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    Re: I finally got to hear 40.1's today ....

    Sounds like you found them to be...adequate. = )
    System 1: Matrix Element M -> Sugden A21se -> Klipsch Cornwall 3.

    System 2: Matrix Element X -> Exposure 3510 -> Heco Direkt.

  3. #3

    Re: I finally got to hear 40.1's today ....

    As Tom Petty said, The waiting is the hardest part. Glad you are loving your new speakers before you get them. Enjoy them.
    Shindo D'Yquem's
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  4. #4
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    Re: I finally got to hear 40.1's today ....

    Yup, pretty adequate

    They will be wonderful.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  5. #5
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    Re: I finally got to hear 40.1's today ....

    nice Joe, it sucks that you had to go somewhere else to hear them after all this time waiting, but now you know you made the right choice. congrats!! few more months they should be there.lol.
    Steve

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  6. #6
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    Re: I finally got to hear 40.1's today ....

    Maybe I am showing my age, but I like the old school speaker design, a big woofer, mid, and tweeter. The only problem is they sit so low to the floor. It appears the stands fix that issue.

    Have fun when they arrive. Don't break them.
    Bud

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  7. #7
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    Re: I finally got to hear 40.1's today ....

    Thanks Steve, Thanks Bud. I'll be good. I promise
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  8. #8
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    Re: I finally got to hear 40.1's today ....

    Joe

    Glad you finally got to here them. I think you maybe happy.

  9. #9
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    Re: I finally got to hear 40.1's today ....

    Joe. great to hear. When my M40.1 left my house. I was looking for the replacement at their price range and auditioned the Devore O96, PMC IB2Is, Spendor SP100...etc.. None of them could replace the beautiful Harbeth sounds.
    Enjoy them! Great speakers.
    Paul

  10. #10
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    Re: I finally got to hear 40.1's today ....

    Joe,
    I'm very happy that you liked them.
    I did not hear all high end speakers of the market, but at any price, there are only 2 who leaves me speechless. The Wilsons XLF and the Harbeth 40.1.
    And I am lucky enough to own one of the two !
    They are simply speakers for life.
    To me, they just smoke everything else.



    Envoyé de mon iPhone à l'aide de Tapatalk
    Shindo, Nagra, Electrocompaniet, Harbeth, AMR, Mc Intosh, Auditorium 23, Rega, DeVore, JC Verdier, WireWorld, Kimber

  11. #11

    Re: I finally got to hear 40.1's today ....

    Congrats, Joe!! Harbeths are wonderful speakers! Happy listening my friend!


    Allen



  12. #12
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    Re: I finally got to hear 40.1's today ....

    Nice Joe! Couple of things:

    - I heard someone mention the height. Big as they are...they are absolutely stand-mounts. But...Harbeth guys will tell you; to be careful, not to go too high. Like art...they are more involving, lower than you might think.

    (for the record...I think the recommended stand-height, is 12" even)

    Joe...were they driven with that UR Unico; or is there something lurking behind the rack? Can you describe, how they differ from 30.1s; other than the obvious?
    CD

    DAC/Pre-amp - PSAudio DsJ > Power-amp - > Speakers - PMC TwentyFive 23s

  13. #13
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    Re: I finally got to hear 40.1's today ....

    They were being driven by an 18 wpc Melody integrated with 300B or maybe 2A3 tubes. I don't know the model and it does not look like a current offering. The bass was ever so slightly puffy but the speakers were glorious. Waaaaaaaay bigger sound. Fuller with more meat on the bone. More immediate, upfront sound with right in front of you presence. Just wonderful. For me, no contest if you have the room. I can see how bass could be an issue in smaller rooms with the 40.1. Tons of bass.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  14. #14
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    Re: I finally got to hear 40.1's today ....

    Talk about imaging! Anything would sound sweet with that face staring at you.
    Speakers: Magico M-Project w/MPods
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  15. #15
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    Re: I finally got to hear 40.1's today ....



    Quote Originally Posted by madfloyd View Post
    Talk about imaging! Anything would sound sweet with that face staring at you.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  16. #16

    Re: I finally got to hear 40.1's today ....

    Congrats. What is the glorious tv - was that projection onto a screen?

  17. #17
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    Re: I finally got to hear 40.1's today ....

    It was not one when we where there but it was a projection TV. I'll try and find out what model of projector.

    Quote Originally Posted by Dpod4 View Post
    Congrats. What is the glorious tv - was that projection onto a screen?
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  18. #18

    Re: I finally got to hear 40.1's today ....

    Thx joe I don't need to know just wondered if it was flat screen or projection. Image looks amazing....almost as stunning as the 40.1s!

  19. #19
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    Re: I finally got to hear 40.1's today ....

    His room sounded awesome!
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  20. #20
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    Re: I finally got to hear 40.1's today ....

    ^^ Careful fellas; is it me...or does that gal, look about 12??

    (granted...12 going on 22; but still...)
    CD

    DAC/Pre-amp - PSAudio DsJ > Power-amp - > Speakers - PMC TwentyFive 23s

  21. #21
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    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by joeinid View Post
    They were being driven by an 18 wpc Melody integrated with 300B or maybe 2A3 tubes. I don't know the model and it does not look like a current offering. The bass was ever so slightly puffy but the speakers were glorious. Waaaaaaaay bigger sound. Fuller with more meat on the bone. More immediate, upfront sound with right in front of you presence. Just wonderful. For me, no contest if you have the room. I can see how bass could be an issue in smaller rooms with the 40.1. Tons of bass.
    Joe,
    You will get a much better bass with more power.
    Does not need tons of power. 50W is enough or 30W of super high quality like the McIntosh MC225 or MC30's.


    Envoyé de mon iPhone à l'aide de Tapatalk
    Shindo, Nagra, Electrocompaniet, Harbeth, AMR, Mc Intosh, Auditorium 23, Rega, DeVore, JC Verdier, WireWorld, Kimber

  22. #22
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    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by Jerome W View Post
    Joe,
    You will get a much better bass with more power.
    Does not need tons of power. 50W is enough or 30W of super high quality like the McIntosh MC225 or MC30's.


    Envoyé de mon iPhone à l'aide de Tapatalk
    Or XA-30.8??
    CD

    DAC/Pre-amp - PSAudio DsJ > Power-amp - > Speakers - PMC TwentyFive 23s

  23. #23
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    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by CDLehner View Post
    Or XA-30.8??
    Absolutely.
    30W of high quality class A will be more than enough.



    Envoyé de mon iPhone à l'aide de Tapatalk
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  24. #24
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    Re: I finally got to hear 40.1's today ....

    I think you are totally correct Jerome. I will gladly give up a little solid bass for the mid range and treble that I heard. It was great. But yes, I can see how a little more power will tighten thing up.

    One thing for sure, they are wonderful speakers.

    Chris,

    I think the XA-30.8 will be amazing on them.

    Quote Originally Posted by Jerome W View Post
    Absolutely.
    30W of high quality class A will be more than enough.



    Envoyé de mon iPhone à l'aide de Tapatalk
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  25. #25
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    Re: I finally got to hear 40.1's today ....

    Interesting that they were driven by an 18w tube integrated. Keep the faith Joe, they'll arrive soon.



    Sent from my mobile.
    Doug



  26. #26
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    Re: I finally got to hear 40.1's today ....

    I will. Now I know that I'm in for a treat when they do arrive. I think I have the tube thing covered. Well maybe an Audio note integrated might be fun

    Quote Originally Posted by dlb2 View Post
    Interesting that they were driven by an 18w tube integrated. Keep the faith Joe, they'll arrive soon.



    Sent from my mobile.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  27. #27

    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by joeinid View Post
    I will. Now I know that I'm in for a treat when they do arrive. I think I have the tube thing covered. Well maybe an Audio note integrated might be fun
    Oganku for sale on audiogon. I visit the page every once and a while to drool over the audio porn.

  28. #28
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    Re: I finally got to hear 40.1's today ....

    We all do it. What a crazy bunch we are, oh man.

    Quote Originally Posted by Dpod4 View Post
    Oganku for sale on audiogon. I visit the page every once and a while to drool over the audio porn.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  29. #29

    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by Dpod4 View Post
    Oganku for sale on audiogon. I visit the page every once and a while to drool over the audio porn.
    Haha, I was at Bob's this weekend. He has a whole bunch of new things that recently came in. I couldn't keep my eyes off the Audio Note Kondo gear. Sigh...


    Allen



  30. #30

    Re: I finally got to hear 40.1's today ....

    I love my Kondo SUT. My tiny taste of what I would buy if I won the lottery. All Kondo 100 % even the wiring and speakers.

  31. #31

    Re: I finally got to hear 40.1's today ....

    I hear you, Darrin! Their Biiyura speakers are amazing!


    Allen



  32. #32

    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by joeinid View Post
    I think you are totally correct Jerome. I will gladly give up a little solid bass for the mid range and treble that I heard. It was great. But yes, I can see how a little more power will tighten thing up.

    One thing for sure, they are wonderful speakers.
    Joe...the only comment I would say when you are pairing amps is that you actually do want to get the bass output as controlled and articulated and as clean as possible. Otherwise, if you get smearing or resonant bass, you will lose midrange resolution and clarity. It sounds like the speaker has a very forward midrange to begin with no matter what amp you use with it (i.e., that's a dominant sonic trait of the speaker), so spending enough time finding the right amp to control its bass so you get cleanly articulated and punchy bass will pay rewards in midrange and treble clarity and resolution.

    PS: I think you have plenty of amps on hand to test out to begin with so I am sure one of your amps will do a nice job anyway (I would try that Supernait and certainly the Hegel) on it. My guess is MC275s will be too much of a good thing with the 40.1s but probably the MC601s will do a nice job as well. I can't see the CJ not being a hit on these bad boys either. So you have plenty to go around to find the right match.

    Enjoy and good luck.
    Cyril
    Speakers/Amp/Preamp: Thiel CS2.4 / ARC Ref 110 / ARC Ref 3
    Sources: Basis 2001/Graham2.2/Nagra BPS/Benz Micro Glider SL, Dynavector 20X2-L, ARC CD7, Oppo BDP-83 SE
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  33. #33
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    Re: I finally got to hear 40.1's today ....

    Cyril,

    Thank you so much for your thoughts. I totally understand and agree with you. I was just saying for non-critical almost background music, I can enjoy any amp on these speakers. I am so excited to get them but I am sure my Strads will be here long before the Harbeth. That's totally okay with me

    Quote Originally Posted by cmalak View Post
    Joe...the only comment I would say when you are pairing amps is that you actually do want to get the bass output as controlled and articulated and as clean as possible. Otherwise, if you get smearing or resonant bass, you will lose midrange resolution and clarity. It sounds like the speaker has a very forward midrange to begin with no matter what amp you use with it (i.e., that's a dominant sonic trait of the speaker), so spending enough time finding the right amp to control its bass so you get cleanly articulated and punchy bass will pay rewards in midrange and treble clarity and resolution.

    PS: I think you have plenty of amps on hand to test out to begin with so I am sure one of your amps will do a nice job anyway (I would try that Supernait and certainly the Hegel) on it. My guess is MC275s will be too much of a good thing with the 40.1s but probably the MC601s will do a nice job as well. I can't see the CJ not being a hit on these bad boys either. So you have plenty to go around to find the right match.

    Enjoy and good luck.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  34. #34
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    Re: I finally got to hear 40.1's today ....

    Joe,

    What other types of music did you sample? Seems like Female Vocals is all anyone really mentions. How do they sound with fast, congested Jazz/Fusion or Rock? Most any speaker sounds ok with a single voice and little accompanying music. Reviewers all seem to use similar Singer/Songwriter or Classical music and it's hard to get a grip on how just about any Speaker or other components will sound with my regular daily play lists of soaring Guitar, full bass lines, drumming that is much more than simple keep the beat.

    How much longer do you have to wait? That's the worst part ordering anything with a long lead time.
    -----------------
    Brian

    Main System -
    Rotel RCD-1572 / Rega P3 > Luxman 505UX Mark II > Fyne Audio F502SPs > Synergistic Cables

    Secondary - OPPO 93 > VAC CLA 1 MKII Pre > Odyssey Stratos > Dynaudio Audience 82s > Tara Labs Cables


  35. #35
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    Re: I finally got to hear 40.1's today ....

    Hi Brian,

    I imagine the 40's can rock but I only heard what the guy like to hear. I know what you are saying and what was played certainly played to the strengths of the speakers. There were a few Japanese drum type songs that just filled the room. It was incredible. Soft and sweet to loud and forceful.

    I expect a few more months on the 40's, sadly. I think they are having some parts supply issues.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  36. #36
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    Re: I finally got to hear 40.1's today ....

    The 40.1 can rock at incredible levels. Details, PRaT, everything you would expect from modern music is delivered beautifully.


    Envoyé de mon iPhone à l'aide de Tapatalk
    Shindo, Nagra, Electrocompaniet, Harbeth, AMR, Mc Intosh, Auditorium 23, Rega, DeVore, JC Verdier, WireWorld, Kimber

  37. #37
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    Re: I finally got to hear 40.1's today ....

    Thanks Jerome
    -----------------
    Brian

    Main System -
    Rotel RCD-1572 / Rega P3 > Luxman 505UX Mark II > Fyne Audio F502SPs > Synergistic Cables

    Secondary - OPPO 93 > VAC CLA 1 MKII Pre > Odyssey Stratos > Dynaudio Audience 82s > Tara Labs Cables


  38. #38
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    Re: I finally got to hear 40.1's today ....






    I should have an update tomorrow or Wednesday. I can't wait.


    Quote Originally Posted by Jerome W View Post
    The 40.1 can rock at incredible levels. Details, PRaT, everything you would expect from modern music is delivered beautifully.


    Envoyé de mon iPhone à l'aide de Tapatalk
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  39. #39
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    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by cmalak View Post
    Joe...the only comment I would say when you are pairing amps is that you actually do want to get the bass output as controlled and articulated and as clean as possible. Otherwise, if you get smearing or resonant bass, you will lose midrange resolution and clarity.
    While that seems like good advice, in general; I agree...that Harbeths can take advantage of amp pairings.

    Their sound, might indicate...they're an easy speaker to drive; but I have found they respond to more power than you might think.

    Of course...Joe has plenty of good units to choose from.
    CD

    DAC/Pre-amp - PSAudio DsJ > Power-amp - > Speakers - PMC TwentyFive 23s

  40. #40
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    Re: I finally got to hear 40.1's today ....

    sorry to hear that you still can't hear your own 40.1- by the time they do arrive there will probably be a 40.2 to order *L*. btw my cheapo stands are working pretty well on the 30's.Those stands you bought look very nice
    richb- naim 202/200,flatcap 2, hi-cap dr,cd5i,nat 05 tuner,linn lp12 w/lingo,quadraspire 2t vented rack,quadraspire tt shelf (installed) tandberg 340 w/rosewood caps and of course harbeth m 30.1 in rosewood mounted on metal folding bookcases from container store (it works-who knew?)

  41. #41
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    Re: I finally got to hear 40.1's today ....

    Thanks Rich. My new to me stands are really nice. I can't wait. Only a few more months.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  42. #42
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    Re: I finally got to hear 40.1's today ....

    Thanks Joe and Bruce for the compliment and sharing. There's some minor tweaking and repositioning of the speakers since your visit.
    Attached Images Attached Images

  43. #43
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    Re: I finally got to hear 40.1's today ....

    Welcome to the forum Yee. We loved your room. It looks even better now. Thank you so much for being a great host. We still talk about our visit. It sounded amazing. Thank you for joining the forum.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  44. #44
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    Re: I finally got to hear 40.1's today ....

    Yee - whatever magic sauce you have, REALLY had an impact on Joe and Bruce.


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  45. #45

    Re: I finally got to hear 40.1's today ....

    Joe-Did your 40.1 speakers move on down the road yet?
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

    Reviewer for Positive Feedback

  46. #46
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    Re: I finally got to hear 40.1's today ....

    Nope, I still have them and still love them. I'm thinking the Strads and the 40.1 are a wonderful speakers. I am not eager to sell the 40.1.

    Quote Originally Posted by mep View Post
    Joe-Did your 40.1 speakers move on down the road yet?
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  47. #47
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    Re: I finally got to hear 40.1's today ....

    Thank you Joe and Mike. It's my pleasure and I feel honored that my humble system able to create a worth mention listening experience. I do love my 40.1 and still trying to get the best out of them. They are very sensitive to the placement/position, once you find the sweet spot, the holographic 3 dimension sound image they produce is very mesmerizing and addicting, I couldn't spend enough time with them.
    I am still searching for the best placement positions for these speakers within the limited parameters due to the 135" screen behind them. Based on my sitting sweet spot It would be more ideal to place them little closer between each other but I have to compromise to not blocking the screen for movies.

  48. #48

    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by Yee Lee View Post
    Thank you Joe and Mike. It's my pleasure and I feel honored that my humble system able to create a worth mention listening experience. I do love my 40.1 and still trying to get the best out of them. They are very sensitive to the placement/position, once you find the sweet spot, the holographic 3 dimension sound image they produce is very mesmerizing and addicting, I couldn't spend enough time with them.
    I am still searching for the best placement positions for these speakers within the limited parameters due to the 135" screen behind them. Based on my sitting sweet spot It would be more ideal to place them little closer between each other but I have to compromise to not blocking the screen for movies.
    That's why it's great to have separate rooms for your HT and your 2 channel system!
    Micro Seiki SX-8000 air bearing table, SME 312s arm, SME 3012R arn, Dynavector XV-1s cartridge, Lyra Etna SL cartridge, ARC Ref 3 phono stage, Otari MX-55 2 track R2R, Ampex 350 tape repros, Roon Nucleus Plus music server, HiFi Rose 150B DAC, ARC Ref 6, ARC Ref 75 with KT-150s, Parasound JC5 amp , JBL 4345 speakers, Viero Equilibro Level 3 speaker cables, and Definitive Technology Ref subs.

    Reviewer for Positive Feedback

  49. #49
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    Re: I finally got to hear 40.1's today ....

    Quote Originally Posted by Yee Lee View Post
    Thanks Joe and Bruce for the compliment and sharing. There's some minor tweaking and repositioning of the speakers since your visit.
    Welcome to AS What a nice set up and room you have. Very impressive.

    I do miss my Harbeth. I loved them

    Would mind the list of gear you have ? Especially what kind of amp and cd player is that ?

    Thanks in advance.
    Paul

  50. #50
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    Re: I finally got to hear 40.1's today ....

    Hi guys,
    I really have to share this with you.
    The 40.1 do need optimal decoupling. When you do that, you are rewarded to a point you just cannot imagine.
    I tried many items.
    Finally, I use Pro Audio Bono Acrylic AVF between stands and ground and PAB custom made lignofol disks between speaker and stand.
    Without very serious decoupling, you do not hear 50% of what the 40.1 can do.
    And if you love the "overdamped" bass of the Wilson/ Magico and so on and want the beautiful mids of Harbeth : very easy. Just add Lignofol AVF between the speakers and the stands. You will change the bass response completely and will have the feeling to listen to an other speaker.


    Envoyé de mon iPhone à l'aide de Tapatalk
    Shindo, Nagra, Electrocompaniet, Harbeth, AMR, Mc Intosh, Auditorium 23, Rega, DeVore, JC Verdier, WireWorld, Kimber

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